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Opera Gala

About

November 27 2022 – 8:30pm | Main Stage, Teatro Massimo

Conductor Manuela Ranno
Tenor Enea Scala
Soprano Federica Guida

Teatro Massimo Orchestra and Chorus

Programme

Gioachino Rossini

Sinfonia da Semiramide

Vincenzo Bellini

“Ah non credea mirarti, ah non giunge” da La sonnambula

Gioachino Rossini

“Eccomi a voi, miei prodi” da La donna del lago

Giuseppe Verdi

Pas de quatre da Jerusalem

Giuseppe Verdi

“È il sol dell’anima… Addio, addio” da Rigoletto

Giacomo Puccini

Intermezzo da Manon Lescaut

Gaetano Donizetti

“Lucia perdona… verranno a te sull’aure” da Lucia di Lammermoor

Giuseppe Verdi

“O Signore dal tetto natio” da I lombardi alla prima crociata

Gaetano Donizetti

“Tombe degli avi miei” da Lucia di Lammermoor

Jacques Offenbach

“Les oiseaux dans la charmille” da Les contes d’Hoffmann

About

Conductor Ben Glassberg
Tenor Enea Scala

Teatro Massimo Orchestra and Chorus

Programme

Hector Berlioz

“Inutiles regrets” from Les Troyens

Camille Pepin

Laniakea for orchestra

Jules Massenet

“Je ne sais si je veille… O nature, pleine de grâce” from Werther

Jules Massenet

“Un autre est son époux!” from Werther

Maurice Ravel

Le tombeau de Couperin

Maurice Ravel

Daphnis et Chloé Suite No. 2 for orchestra and chorus

About

24, 26, 28, 29 October  and 2 November 2023 |Main Stage, Teatro Massimo

Notice to the audience

The Fondazione Teatro Massimo informs the public that the Premiere of the opera “Don Giovanni” has not taken place, following the adhesion of the theatre workers to the national strike (called by the national secretariats SLC – CGIL, FISTEL – CISL, UILCOM – UIL, FIALS – CISAL) for the renewal of the National Collective Labour Contract of the Lyric Symphonic Foundations.

Thanks to the availability of Maestro Riccardo Muti and of the entire cast, the theatre has scheduled a performance on Sunday October 29th at 8 p.m.

Subscribers and ticket holders of the Premiere (October 24th) may attend the new performance, scheduled for Sunday October 29th at 8.00 p.m., using the same ticket and keeping the same seat. If unable to attend the new performance on Sunday October 29th, subscribers and ticket holders may still request a refund. [Refund info here]
We apologize to the audience for the inconvenience, thank you for your understanding.

Music by Wolfgang Amadeus Mozart
Conductor Riccardo Muti
Director Chiara Muti
Scene Design Alessandro Camera
Costume Design Tommaso Lagattolla
Lighting Design Vincent Longuemare
Assistant Director Paolo Vettori
Assistent Scene Design Andrea Gregori
Assistant Costume Design Francesco Ceo

A new production of the Teatro Massimo
in co-production with Teatro Regio di Torino

Cast

Don Giovanni Luca Micheletti
Donna Anna Maria Grazia Schiavo
Donna Elvira Mariangela Sicilia
Don Ottavio Giovanni Sala
Leporello Alessandro Luongo
Zerlina Francesca Di Sauro
Masetto Leon Košavić
Il Commendatore Vittorio De Campo

Maestro at the fortepiano Alessandro Benigni
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

Maestro Riccardo Muti’s Photograph © Todd Rosenberg Photography 2012
riccardomuti.com

More info

Bookings open on

September 5 2023

Info

30 September and 1 October 2023 |Main Stage, Teatro Massimo

A Contemporary Ballet
New Creation for the Teatro Massimo Ballet

Coreographer Vincenzo Veneruso
Music and Conductor
Paolo Buonvino
Scene Designs Chiara Pisani
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Teatro Massimo Ballet and Orchestra
Videomaking Gery Palazzotto with Antonio Di Giovanni e Davide Vallone

Cast

Anna Francesca Bellone
Luca Michele Morelli
Il fratello di Anna Alessandro Cascioli
Dowload the Full Cast

Synopsis

Programme

Music

From the soundtracks for L’ultimo bacio, N (Io e Napoleone), A casa tutti bene (seconda stagione), I Viceré, Padre Pio, I Medici, Caos calmo

Poster

About

From 13 to 18 June 2023 |Main Stage, Teatro Massimo

A neoclassic ballet
New creation for the Teatro Massimo Ballet
Pre-recorded music by 
Georges Bizet
in Rodion Scedrin‘s version

Coreographer Leo Mujić
Scene Designs Mislav Kuzmanic
Lighting Designs Aleksandar Čavlek
Assistant Coreographer and dramaturgy Bálint Csaba Rausher

A production of the Teatro Massimo
Costumes by ODD MERY GI (Stara Zagora, Bulgaria) designed by Lars Ayen

 

 

 

Cast

Carmen Marta Petkova (13, 15, 17) / Giorgia Leonardi (14, 16, 18)
Don José Nikola Hadjitanev (13, 15, 17) / Michele Morelli (14, 16, 18)
Escamillo Michele Morelli (13, 15, 17) / Diego Mulone (14, 16, 18)
Micaëla Yuriko Nishihara (13, 15, 17)  / Chiara Sgnaolin (14, 16, 18)
Fernanda Giorgia Leonardi (13, 15, 17) / Francesca Bellone (14, 16, 18)
Zuniga Andrea Mocciardini (13, 15, 17) / Vincenzo Carpino (14, 16, 18)
Mercedes Alessandro Cascioli
La madre Simona Filippone (13, 16) / Giada Scimemi (14, 18) / Noemi Ferrante (15, 17)

Teatro Massimo Ballet
Ballet Director Jean-Sébastien Colau

Programme

Running time

1 hour (no interval)

Synopsis

A square in Sevilla, soldiers are whiling away the time in front of their guardhouse, with their captain Zuniga who is very well known among the ladies. In a change of guards, Don José is about to take Zuniga’s place. The women from the factory pour into the square, eagerly watched by the men. Carmen enters and immediately recognizes José as a newcomer who, on the other hand, shows no notice of her at first, but her affection is burned into his memory.
Micaela who is longing for Don Josè’s love is bringing a letter from his mother in which she expresses her wishes that Micaela becomes his wife.
Carmen is lazy to work her shift and an argument between her and Fernanda breaks out in the factory. Attracted by the noise, the crowd storms inside. Carmen has injured Fernanda, who accuses her to José and he escorts Carmen to custody.
Carmen seduces Don José and promising to spend the night with him, persuades him to let her go. Don José remains torn between desire and his sense of duty. Her best friend Mercedes helps her escape. When Zuniga finds out that José failed to fulfill his duty, he discharges him, and goes after Carmen.
Having escaped custody, Carmen and her friends are celebrating the arrival of the re- nowned torero Escamillo who is immediately attracted to Carmen, and vice versa. After spending a night with Escamillo, Zuniga finds Carmen alone. He attacks her and tries to rape her, but José comes to save her and shoots Zuniga.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.

About

From 19 to 25 May 2023 |Main Stage, Teatro Massimo

Music Pëtr Il’ič Čajkovskij
Conductor Omer Meir Wellber
Director Julien Chavaz
Associate Director Annemiek van Elst
Scene Designs Amber Vandenhoeck
Costume Designs Sanne Oostervink
Lighting Design Eloi Gianini
Assistant Director Fleur Snow
Costume Designs Assistant Maartje Prins, Nadine Hempel
Russian Coach Stanislav Chernyshov

A production Theater Magdeburg / Opéra de Lorraine

 

Cast

Larina Helene Schneiderman
Tat’jana Carmen Giannattasio (19, 21, 23, 25) / Natalia Tanasii (20, 24)
Olga Victoria Karkacheva
Filipp’evna Margarita Nekrasova
Evgenij Onegin Artur Rucinski (19, 21, 23, 25) / Nikolai Zemlianskikh (20, 24)
Vladimir Lenskij Saimir Pirgu (19, 21, 23, 25) / Pavel Petrov (20, 24)
Principe Gremin Giorgi Manoshvili
Monsieur Triquet/Un contadino James Kryshak
Zareckij/Un capitano Andrii Ganchuk
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

Biglietti in vendita dal

2 aprile 2023

Running Time

Three hours and 10 minutes with two 15 minutes intermissions

About

From19 to 21, 23,24 and 26 September 2023 |Main Stage, Teatro Massimo

Opera in three acts
by 
Christoph Willibald Gluck
Conductor Gabriele Ferro
Director and Coreographer Danilo Rubeca
Scene Designs Domenico Franchi
Costume Designs Alessio Rosati
Lighting Designs Marco Giusti
Assistant Director & Coreographer Emanuele Burrafato
Assistant Scene Designs Francesca Nieddu
Assistant Costume Designs Rosa Mariotti
New production

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Cast

Orfeo Filippo Mineccia
Euridice Federica Guida
Amore Nofar Yacobi

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Running time: 1 hour and 40 minutes without interval

The Premiere (Sept 19) will be available in free livestreaming on the Teatro Massimo WebTV

Listening Guides (in Italian)

• Thursday September 14, 6pm in Sala Onu, Invito all’ascolto by the Friends of del Teatro Massimo with Lorenzo Mattei
• Tuesday September 19,
6:30pm in Sala Onu, Vi racconto l’opera with Beatrice Monroy, Sabrina Petyx e Gigi Borruso

 

Synopsis

Act I

A chorus of nymphs and shepherds sings a mourning hymn around the tomb of Eurydice (“Ah, se intorno a quest’urna funesta”). Orpheus asks them to leave him alone, and express his grief for the death of his wife, his rage against the cruel gods, and his determination to bring Eurydice back to life (“Chiamo il mio ben così”). Cupid appears and tells Orpheus that Jove allows him to descend to the underworld to try to reclaim his wife. Orpheus must appease the Furies with his music and bring Eurydice back to the upper world without never looking at her or explaining his behaviour, otherwise he will lose her for ever (“Gli sguardi trattieni”). Orpheus heads to Hades with his lyre as only weapon.

Act II

The gates of Hades are guarded by Furies and demons, who threatens Orpheus with their dance (“Chi mai dell’Erebo fra le caligini”). Orpheus plays his lyre and sings his despair (“Deh, placatevi con me”). The Furies at first refuse to let him move on into the Elysian Fields. Then they are gradually touched by his laments and moved by his singing, and they let him pass the entrance of the underworld. The scene is now in the Elysian Fields. Orpheus arrives, seeking his beloved wife (“Che puro ciel”). The Blessed Spirits restore Eurydice, veiled, to Orpheus, and he hurries to lead her away, without looking at her.

Act III

Orpheus and Eurydice are on their road to the upper world. Eurydice, who doesn’t know of the gods injunction, is suspicious, and asks him to explain his behaviour or at least to look at her (“Vieni, appaga il tuo consorte”). Orpheus tries to keep his face turned away and to bring her to the upper world, but when she faints, he is forced to to infringe the gods’ will. As soon as their eyes meet, Eurydice dies again with a last farewell. Orpheus is desperate and about to kill himself (“Che farò senza Euridice”). Cupid appears and announces that Orpheus’ love and faith have moved again the gods. Eurydice is restored to life, and they will enjoy a new life of pleasures and love on earth (“Divo Amor, son tue pene”). Nymphs and shepherds celebrate with dances the power of Cupid (“Trionfi Amore”).

The Poster

About

From 16 to 23 April 2023 |Main Stage, Teatro Massimo

Lyric tragedy in two acts
by Vincenzo Bellini
Conductor Lorenzo Passerini
Directors Ugo Giacomazzi and Luigi Di Gangi
Scene Design Federica Parolini
Costume Design Daniela Cernigliaro
Lighting Design Luigi Biondi
Assistant Director and Assistant Lighting Design Francesco Traverso

A production of the Teatro Massimo in co-production with Sferisterio di Macerata

 

Cast

Norma Marina Rebeka (16, 20, 23) / Desirée Rancatore (18, 19, 22)
Pollione Dmitry Korchak (16, 18, 20, 23) / Matteo Falcier (19, 22)
Adalgisa Maria Barakova (16, 18, 20, 23) / Lilly Jørstad (19, 22)
Oroveso Riccardo Fassi
Flavio Massimiliano Chiarolla
Clotilde Elisabetta Zizzo
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

ACT I

In the 1st century A.D. Gaul is occupied by the Romans. Oroveso, head of the druids, and the Gauls are waiting the high priestess and daughter of Oroveso, Norma, to reveal the will of the God Irminsul, and therefore a sign for the war against the Romans to start (“Ite sul colle, o Druidi”). 

During their regular patrol, the roman proconsul Pollione tells his friend Flavio that he is no longer in love with his secret lover Norma. He has fallen for the novice Adalgisa. Norma has already given him two sons (“Meco all’altar di Venere”). 

Norma arrives at the temple and tells the Gauls that the time is not ready for war (“Sediziose voci” – “Casta diva”). 

After everyone has left, the novice Adalgisa arrives at the altar and prays to the God because she has fallen in love with the proconsul Pollione. He surprises her and persuades her to go with him to Rome (“Va’, crudele, e al dio spietato”).
Meanwhile, Norma and Clotilde, the only one who knows about her two sons, are with the children in Norma’s home. Norma heard that Pollione has to go back to Rome but she is not sure that he will take her and the two children with him anymore. Clotilde hides the two sons before Adalgisa’s arrival. Adalgisa wants to break her vow to follow her lover (“Sola, furtiva al tempio”). Norma is ready to release Adalgisa from her vow, but when she learns that Pollione is the lover, her love towards him changes into hate (“Oh, di qual sei tu vittima”). At this moment the holy bell is heard and Norma has to go into the temple for the ceremony.

ACT II

Norma wants to kill herself and the children to keep them away from Pollione (“Dormon entrambi”). But she cannot. Instead, she summons Adalgisa to take the children with her and Pollione to Rome (“Deh! con te, con te li prendi”). The girl refuses, she wants to bring Pollione back to Norma (“Mira, o Norma”). 

The Gauls assemble at the altar to hear Oroveso’s announcement that Pollione is being replaced by a crueler commander (“Ah! del Tebro al giogo indegno”). 

Norma is waiting for the return of Pollione but Clotilde tells her that Pollione won’t go without Adalgisa. Norma takes this as the sign from the God Irminsul, and announces the war against the Romans (“Guerra! Guerra!”). Before the war can begin, they have to bring a sacrifice to the God. In this moment Clotilde arrives and says that a roman soldier has invaded the temple. Pollione is brought to the altar and Oroveso demands his death.
Norma wants to speak with Pollione alone and offers him his freedom if he leaves Adalgisa (“In mia man alfin tu sei”). But even the threat to kill the two children cannot change Pollione’s mind. Norma swears to kill not only the Romans but also Adalgisa.  Pollione wants to kill himself, but Norma calls back the Gauls and announces that a priestess has broken her vows and therefore she will be the sacrifice. But instead of saying Adalgisa’s name, she says her own. She confesses her love towards Pollione (“Qual cor tradisti”). Her last thoughts are with her children, which she entrusts to her father (“Deh, non volerli vittime”). Oroveso promises to take care of them. The Gauls curse Norma on her way to the pyre. Pollione realises his love towards Norma and follows her into death. 

Cast

November 22 – 28 2023 | Main Stage, Teatro Massimo

Opera in two acts by Vincenzo Bellini
Libretto by Felice Romani

Conductor Omer Meir Wellber
Director and Coreographer Idan Cohen
Scenes Designs Riccardo Massironi
Costume Designs Edoardo Russo
Lighting Designs Bambi
Dramaturgy and Assistant Director Raina Von Waldenburg
Assistant Director Antonella Cozzolino
Assistant Coreographer Ted Littlemore
Teatro Massimo Chorus, Ballet and Orchestra
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A new production of the Teatro Massimo di Palermo

 

 

Cast

Romeo Maria Kataeva (22, 24, 26, 28) / Anna Pennisi (23, 25)
Giulietta Marina Monzó (22, 24, 26, 28) / Francesca Pia Vitale (23, 25)
Tebaldo Ioan Hotea (22, 24, 26) / Mert Süngü (23, 25, 28)
Capellio Marco Spotti
Lorenzo Gabriele Sagona

Tickets

Tickets

Booking opens on November 7 2023

Price range: 20 to 145 euro
[check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page