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About

This event is in Italian.

Tickets (3 euros) available at the box-office and online.

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

Photo Fausto Brigantino

Programme

Beatrice Monroy

presents Tristan und Isolde by Richard Wagner with Rinaldo Clementi and Stefania Blandeburgo.

About

Friday, March 8 2024, 8:30pm | Foyer

Conductor Mojca Lavrenčič

Teatro Massimo Orchestra

Tickets: Full price 15€ / Concession 12€

Programme

Anna Amalia von Sachsen Weimar Eisenach

Ouverture from Erwin und Elmire

Fanny Mendelssohn

Ouverture in C major

Louise Farrenc

Symphony n. 3 in G minor op. 36

Emilie Mayer

Ouverture n. 2 in D major

About

Giacomo Puccini
Tosca

Melodrama in three acts

Conductor Valerio Galli
Director Mario Pontiggia
Scene designs and costume designs Francesco Zito
Light designer Bruno Ciulli
Assistant director Angelica Dettori
Scene assistant Antonella Conte

A Teatro Massimo Production

The premiere on Friday 29 April will be broadcast live on the Teatro’s WebTV and Repubblica.it

Cast

Cast

Tosca Anna Pirozzi (29, 3) / Chiara Isotton (30, 4)
Cavaradossi Fabio Sartori (29, 3) / Francesco Pio Galasso (30, 4)
Scarpia Amartuvshin Enkhbat (29, 3) / Roberto Frontali (30, 4)
Angelotti Gabriele Sagona
Il sagrestano Matteo Peirone
Spoletta Massimiliano Chiarolla
Sciarrone Italo Proferisce
Un carceriere Alessio Gatto Goldstein (29, 3) / Cosimo Diano (30, 4)
Un pastore Anna Costa

New Guidelines for the Audience

Please take a few minutes to read the safety and health guidelines linked to the Covid-19 pandemic. 
Bear in mind that a "Strengthened" Digital Covid Certificate (green pass) and wearing a mask are compulsory to access the theatre.

Where to buy your tickets

At the Box-office, online on TicketOne.it, by calling the call centre.

Using a Voucher

You can use the voucher you received for a 2020 canceled performance  to buy tickets. Vouchers are valid for 36 months after the issuing date. Please notice that vouchers issued by TicketOne and the selling points can only be used to buy online on ticketone.it. Vouchers issued by the box-office and the call center can be used at the box-office and at the call center.

Concessions

Under 26, Under35 Card holders, 2022 subscribers, #iorinuncioalrimborso donors, students of the University of Palermo, Palermo Conservatory of Music and Palermo Academy of Arts, Uncalm, groups (at least 20 people for the same date), Diamond Card holders. 6 seats in the stalls (section 1) are reserved for people with disabilities and their companions for each performance (at the fare of section 7) - check with the box-office for further info. 
You will be required to show your ID/certificate to get concession prices.

Photo © Rosellina Garbo

About

Pianist Pietro Spinelli – Cucina Sonora

Free admission subject to availability

September 20-22 will see the 7th edition of PIANO CITY PALERMO, the free piano festival that transforms the city into a big stage, featuring talented artists from Sicily and around the world.

 

Programme

Programme

Original musics

About

This event is in Italian.

Tickets (3 euros) available at the box-office and online.

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

Programme

Beatrice Monroy

presents L’elisir d’amore by Gaetano Donizetti with Giuseppe Cutino and Sabrina Petyx.

About

venerdì 3 ottobre, ore 15:00 | Sala ONU

Convegno Internazionale

Alessandro Scarlatti, il “palermitano”
Storia e fortuna a 300 anni dalla morte

III Sessione

Intorno a Mitridate Eupatore

Presiede Ilaria Grippaudo

Luca Della Libera
(Conservatorio di Frosinone), Contesto, scelte musicali e
drammaturgiche nel Mitridate Eupatore

Eugenio Refini
(New York University), L’artificio di Zeusi: tragedia e storia nel Mitridate
Eupatore di Frigimelica Roberti

Giada Viviani
(Università di Genova), La “guerra” delle tragedie per musica: Il Mitridate
Eupatore e la rivalità tra i teatri San Giovanni Grisostomo e San Cassiano

Presentazione

Presentazione

Nel 2025 si commemorano i trecento anni dalla morte di Ales­sandro Scarlatti (Palermo 1660-Napoli 1725), il più impor­tante operista italiano tra XVII e XVIII secolo. In occasione di questo anniversario, sono numerosi i concerti, i convegni e le mani­festazioni che gli saranno dedicate in diversi luoghi d’Italia ed Europa.
Palermo, luogo di nascita del compositore, non poteva mancare a questo importante appun­tamento.
Dal 5 al 12 ottobre verrà rappresentata al Teatro Massimo in una nuova produzione l’opera Mitridate Eupatore (eseguita per la prima volta a Venezia nel 1707). Dal 2 al 4 ottobre, in concomi­tanza con questa rappresentazione, si svolgerà il convegno scien­tifico Alessandro Scarlatti, il “palermitano”. Storia e fortuna a 300 anni dalla morte, organizzato congiuntamente con il Dipartimento di Scienze umanistiche dell’Università di Palermo, che riunisce alcuni dei più eminenti studiosi di Scarlatti, italiani e stranieri.

Rispetto alle iniziative previste altrove, quelle palermi­tane sottolineano il rapporto tra Scarlatti e la sua città natale, sia tracciando un quadro delle attività musicali a Palermo nella sua epoca, sia illuminando alcuni momenti della storia della sua recezione in tempi recenti, in particolare attraverso il magistero di Roberto Pagano, autore di una fondamentale biografia di Alessan­dro e del figlio Domenico Scarlatti nonché promotore del Festival Scarlatti tenutosi per iniziativa del Teatro Massimo a Palermo nei primi anni Duemila.

Il convegno si concluderà il 4 ottobre in Sala ONU alle 10.30 con la tavola rotonda “Mettere in scena Scarlatti oggi”, organizzata in collaborazione con l’Associazione Amici del Teatro Massimo. Artisti di grande esperienza si confronteranno sull’attualità dell’opera barocca. Partecipano il violinista e direttore d’orchestra Fabio Biondi, il cantante Filippo Mineccia, il regista Stefano Vizioli; insieme a Cecilia Ligorio, Giulio Prandi e Paolo V. Montanari rispettivamente regista, direttore e dramaturg di Mitridate Eupatore . Seguirà l’esecuzione di alcune arie dal Mitridate Eupatore con: Martina Licari (soprano), Konstantin Derri (controtenore), Giulio Falzone (tiorba) e Michele Barbieri (clavicembalo).

Info

Tuesday April 21 2026, 6 pm, Sala Onu

Talking about Opera  – Le convenienze ed inconvenienze teatrali

This event is in Italian.

The art of storytelling is made up of intertwined threads that open up the enchantment of listening.

Beatrice Monroy tells us the story of the opera Le convenienze ed inconvenienze teatrali with Gigi Borruso and Stefania Blandeburgo.

Tickets (3 euros) are available at the box-office and online.

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

 

 

About

The project

Beatrice Monroy – with readings by Stefania Blandeburgo, Gigi Borruso, Rinaldo Clementi, Giuseppe Cutino, Consuelo Lupo, and Sabrina Petyx – recounts the plots of the Operas staged at the Teatro Massimo to the audience, as well as the historical and cultural references on which the librettists based their work.

Our aim is to bring to the audience the extraordinary stories that inspired the Masters to compose their masterpieces.

About

Tuesday May 19 2026, 6pm – Sala ONU

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

Programme

Emilio Sala

presents Aida by Giuseppe Verdi

About

Monday, March 4 2024 | Main Stage

Conductor Michele De Luca
Dramaturgy and Acting Paolo Migone
Massimo Kids Orchestra

Comedian Paolo Migone explains that classical music is not something incomprehensible or particularly strange, but is first and foremost music.
So why not let ourselves be moved and involved by the music of the great composers? Migone guides us into a universe unknown to many, and he does it in his own way, with absolute originality, lots of irony and without any prejudice or pretentious snobbery. The show is engaging, entertaining, enriched by slides, and in the narration four of the most incredible musicians in the history of music are associated with the four elements: Vivaldi with the water, Bach with the earth, Mozart with the air, Beethoven with the fire, as if to emphasise the indispensability of music for humanity.

Tickets

Full price: 12 €
Student concession: 5 €

 

Programme

Music by

J. S. Bach, A. Vivaldi, W. A. Mozart, L. van Beethoven

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced.

This performance is for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

Sunday March 3 performance is open to everyone.