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Orchestra Nazionale Barocca dei Conservatori

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February 25 2026, 8:30 pm | Main Stage

Orchestra Nazionale Barocca dei Conservatori

National Baroque Orchestra of the Italian Conservatories of Music


Conductor and violin
Emmanuel Resche-Caserta
Soprano
Marie Perbost

Orchestra Nazionale Barocca dei Conservatori

Project by the Ministry of University and Research
In collaboration with the Alessandro Scarlatti Conservatory of Music in Palermo

 

Programme

Marc-Antoine Charpentier

Marche de Triomphe (1691ca.)

Marc-Antoine Charpentier

Ouverture from the Te Deum (1692)

Jean-Philippe Rameau

Aria of the Folie from the ballet bouffon Platée (1745)

Jean-Baptiste Lully

Suite from the comédie-ballet Le Bourgeois Gentilhomme (1670)

Jean-Baptiste Lully

Passacaille from the tragédie lyrique Armide Passacaille (1686)

Marin Marais

Suite from the tragédie lyrique Alcyone (1706)

Jean-Philippe Rameau

Aria “Tristes apprêts”, from the tragédie lyrique Castor et Pollux (1737)

Jean-Philippe Rameau

Suite from the opéra-ballet Les Indes Galantes (1735)

Jean-Philippe Rameau

Aria “Aquilons fougueux”, from the tragédie lyrique Dardanus (1739)

Jean-Philippe Rameau

Entrée de Polymnie, from the tragédie lyrique Les Boréades (1763)

Jean-Philippe Rameau

Rigaudons from the ballet bouffon Platée (1745)

Jean-Philippe Rameau

Musette en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)

Jean-Philippe Rameau

Tambourin en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)

Jean-Philippe Rameau

Aria “Rossignols amoureux”, from the tragédie lyrique Hippolyte et Aricie (1733)

Jean-Philippe Rameau

Chaconne dall’opéra-ballet Les Indes Galantes (1735)

Poster

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March 19 2026, 20:30 pm | Main Stage

Petite Messe Solennelle


Conductor
Salvatore Punturo
Soprano Licia Piermatteo
Alto José Maria Lo Monaco
Tenor Pavel Kolgatin
Bass Christian Senn

First piano Giuseppe Cinà
Second piano Claudio Marchetti

Harmonium Pasquale Lo Cascio

Teatro Massimo Chorus

Gioachino Rossini
Petite Messe Solennelle

 

Tickets

Tickets

Booking opens on December 3 2025
Check ticket fares & info

Poster

Info

March 22 2026, 8:30 pm| Main Stage

Orchestra Nazionale dei Conservatori

National Orchestra of the Italian Conservatories of Music


Conductor Diego Ceretta
Piano
Elia Cecino

Orchestra Nazionale dei Conservatori

Project by the Ministry of University and Research
In collaboration with the Ottorino Respighi Conservatory in Latina

Tickets

Dmitri Shostakovich

Piano Concerto No. 2, Op. 102
1. Allegro – 2. Andante – 3. Allegro

Sergei Prokofiev

Suite from Romeo and Juliet
1. Montagues and Capulets (No. 1 from Suite No. 2, Op. 64 ter)
2. Juliet as a Young Girl (No. 2 from Suite No. 2, Op. 64 ter)
3. Madrigal (No. 3 from Suite No. 1, Op. 64 bis)
4. Minuet (No. 4 from Suite No. 1, Op. 64 bis)
5. Romeo and Juliet (No. 6 from Suite No. 1, Op. 64 bis)
6. Death of Tybalt (No. 7 from Suite No. 1, Op. 64 bis)
7. Friar Laurence (No. 3 from Suite No. 2, Op. 64 ter)
8. Romeo and Juliet Before Parting (No. 5 from Suite No. 2, Op. 64 ter)
9. Romeo at Juliet’s Tomb (No. 7 from Suite No. 2, Op. 64 ter)

Ph. Franco Lannino

Info

April 12 2026, 8:30 pm | Main Stage

Mahler – Il Titano


Conductor Riccardo Frizza

Teatro Massimo Orchestra

W. A. Mozart
Symphony n. 41 in C major K 551 “Jupiter” 

Gustav Mahler
Symphony n.1 “The Titan”

Tickets

Tickets

Booking opens on December 3 2025

Ph. Franco Lannino

Info

May 6 2026, 8:30 pm| Main Stage

Orchestra del Conservatorio Scarlatti

Orchestra of the Scarlatti Conservatory of Music


Conductor Giuseppe Crapisi
Flauto Alessandro Nigrelli
Orchestra of the Scarlatti Conservatory of Music

In collaboration with the Scarlatti Conservatory of Music in Palermo

Programme & Tickets

Programme

Leonardo Scicolone
Per l’umanità
Winning Composition of the Student Contest at the Palermo Conservatory of Musica “A. Scarlatti”

Carl Reinecke
Concerto for flute and orchestra in D major op. 283
1. Allegro molto moderato
2. Lento e mesto
3. Moderato – In tempo animato – Tempo I – Più mosso
– Più lento maestoso

Richard Wagner
Siegfried Idyll WWV 103

Franz Liszt
Hungarian Rhapsody No. 2 (orchestra version)

Tickets

Booking opens on December 3 2025

Ph. Rosellina Garbo

Info

June 9 and 10 2026, 8:30 pm | Main Stage

Beethoven – Symphony No. 9


Conductor Nir Kabaretti
Soprano Maria Mudryak
Mezzosoprano Nino Surguladze
Tenor Antonio Poli
Bass-baritone Thomas Tatzl

Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

Programme

Mikalojus Konstantinas Čiurlionis

De profundis

Ludwig van Beethoven

Symphony n. 9 in D minor per soloists, chorus and orchestra op. 125

Ph. Rosellina Garbo

Info

September 24 2026, 8:30 pm | Main Stage

Sicilian Jazz Orchestra – The Brass Group


Conductor Domenico Riina

Sicilian Jazz Orchestra

In collaboration with Sicilian Jazz Orchestra Foundation – The Brass Group

Tickets

Tickets

Booking opens on December 3 2025

Info

October 11 2026, 8:30 pm | Main Stage

Ferro / Prokofiev / Stravinsky


Conductor
 Gabriele Ferro

Sergej Prokofiev
Sinfonia classica

Gabriele Ferro
Sintropia 3

Igor Stravinsky
Pulcinella

Teatro Massimo Orchestra and Youth Chorus

Tickets

Tickets

Booking opens on December 3 2025

About

From 15 to 19 March 2023 |Main Stage, Teatro Massimo

Music Adolphe Adam
Coreographer José Martinez
Conductor Mojca Lavrenčič
Scene and Costume Designs Francesco Zito
Lighting Design Jacopo Pantani
Costume Designs Assistant Mario Celentano*

 

A production of the Teatro dell’Opera di Roma

 

 

Cast

Medora Maia Makhateli (15, 16) / Linda Messina (17, 19) / Carla Mammo Zagarella (18)
Conrad Jakob Feyferlik (15, 16) / Michele Morelli (17, 19) / Emilio Barone (18)
Gulnara Giorgia Leonardi (15, 16) / Martina Pasinotti (17, 19) / Yuriko Nishihara (18)
Lankadem Alessandro Casà (15, 16) / Diego Mulone (17, 19) / Alessandro Cascioli (18)
Birbanto Diego Millesimo (15, 16, 19) / Giovanni Traetto (17, 18)
Amica di Birbanto Romina Leone (15, 16, 19) / Valentina Chiulli (17, 18)
Pascià Vincenzo Carpino (15, 16, 17, 19) / Filippo Terrinoni (18)
Eunuco Giuseppe Rosignano
Coppie di corsari solisti
Chiara Sgnaolin, Gianluca Mascia (15, 16, 18)
Mathilde Marlin, Alex Gattola (17, 19)
Lucia Ermetto, Giovanni Traetto (15, 16)
Annamaria Margozzi, Dennis Vizzini (17, 18, 19)
Tre odalische
Francesca Davoli (15, 16, 18) / Michaela Colino (17, 19)
Francesca Bellone (15, 16, 18) / Sabrina Montanaro (17, 19)
Michela Mazzoni (15, 16, 18) / Chiara Sgnaolin (17, 19)

Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau
Maître de ballet Guido Sarno

*as part of the “Fabbrica” Young Artist Program of the Teatro dell’Opera di Roma

Synopsis

ACT I

SCENE ONE – The Slave Market
The slave trader Lankendem displays his “merchandise” to the highest bidder. The visit of the wealthy Seyd Pasha puts the slave market in turmoil. The shrewd Lankendem presents the Pasha with the most attractive slave girls, but none of them meet his taste. Then he shows him the attractive Gulnare, who he has just captured earlier on. The Pasha, enchanted by her beauty, buys her immediately and throws a bag of gold to Lankendem who rejoices. But the slave trader has saved his greatest “spoil” for last, he suddenly shows off the beautiful Medora. The Pasha is immediately captured by her beauty.
There is a group of men lingering in the square. Its leader, Conrad, the Corsair, notices Me- dora and he is immediately spellbound by her beauty. Thanks to his immense wealth, the Pasha buys Medora and carries her off to his harem. He has no suspicion of the Corsairs’ plan. Indeed, Conrad, helped by his friend Birbanto, kidnaps the young girl right in front of the furious Pasha. In the general confusion that follows, the other girl slaves are freed, and, before the arrival of the Turkish soldiers, the Corsairs manage to capture Lankendem and quickly flee to a cave by the sea.

ACT I

SCENE TWO – The Corsair’s Cave
Conrad and the Corsairs return to their cave. They are very pleased with their own bravery which allowed them not only to take the girls away from Lankendem’s hands, but to have stolen a treasure. The slave girls ask Medora to intercede on their behalf so that Conrad may set them free. He accepts, but Birbanto and some of the Corsairs, who hope to make money out of them, protest vehemently against such decision. A violent discussion breaks out, but Conrad keeps his word and the girls are declared free from slavery. Conrad and Medora, self-assured and alone, bask in their new found love. Lankendem, meanwhile, tied up in ropes, silently witnessed the discussion between the Corsairs. He approaches Birbanto and his group by offering him a secret deal. If they release him, he will reveal them a sure way to prevail over Conrad: the Corsairs accept. He tells them that he has a potion with a very strong narcotic effect, which once is sprinkled on flowers and inhaled it is highly effective… In the meantime, the lovers return happily from their moment of shared joy. Conrad, wanting to offer proof of his love to Medora and seal it, takes a flower, smells its scent, but before offering it to her… he falls into a deep sleep.
The group of the rebel Corsairs surrounds Medora, who is terrified and realises she has fallen into a trap. The Corsairs let Lankendem escape with Medora. Birbanto is about to kill Conrad who suddenly wakes up. Desperate, for the loss of Medora, he sets out on his quest swearing to save her once again from the hands of Lankendem.

ACT II

SCENE ONE – The Harem of Seyd Pasha
Finally Gulnare enjoys her new life, refusing to bend to the rules of the harem and challenging the Pasha himself: her capriciousness is full of charm, so she manages to avoid any punish- ment. No other woman in the harem dares behave like her in the presence of the Pasha. A big party is being prepared in the harem, when suddenly Lankendem arrives with Medora. The Pasha is once again captivated by the beauty of the slave and to thank the slave trader for his service, he gives him a lavish reward.
Happy to have back in his harem the two most beautiful girls slaves, the Pasha, while smoking, falls asleep. In his dreams he reaches the Jardin animé, where all the women of his harem dance around him in harmony. Suddenly he wakes up: the Corsairs have invaded the palace during his sleep and are running away with the slaves.

ACT II

SCENE TWO – The Return to the Cave
Conrad and his friends return to theirs cave. Here they celebrate Medora and Conrad’s reunion. After the celebrations, they leave for the port where the Corsairs had previously prepared a ship. They all start a new journey towards happiness and new adventures.

EPILOGUE

The Corsair Ship
The Corsair ship takes off. Suddenly a storm breaks out. On a beach Medora and Conrad are the only two survivors of the shipwreck.