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February 25 2026, 8:30 pm | Main Stage
Orchestra Nazionale Barocca dei Conservatori
National Baroque Orchestra of the Italian Conservatories of Music
Conductor and violin Emmanuel Resche-Caserta
Soprano Marie Perbost
Orchestra Nazionale Barocca dei Conservatori
Project by the Ministry of University and Research
In collaboration with the Alessandro Scarlatti Conservatory of Music in Palermo
Programme
Marc-Antoine Charpentier
Marche de Triomphe (1691ca.)
Marc-Antoine Charpentier
Ouverture from the Te Deum (1692)
Jean-Philippe Rameau
Aria of the Folie from the ballet bouffon Platée (1745)
Jean-Baptiste Lully
Suite from the comédie-ballet Le Bourgeois Gentilhomme (1670)
Jean-Baptiste Lully
Passacaille from the tragédie lyrique Armide Passacaille (1686)
Marin Marais
Suite from the tragédie lyrique Alcyone (1706)
Jean-Philippe Rameau
Aria “Tristes apprêts”, from the tragédie lyrique Castor et Pollux (1737)
Jean-Philippe Rameau
Suite from the opéra-ballet Les Indes Galantes (1735)
Jean-Philippe Rameau
Aria “Aquilons fougueux”, from the tragédie lyrique Dardanus (1739)
Jean-Philippe Rameau
Entrée de Polymnie, from the tragédie lyrique Les Boréades (1763)
Jean-Philippe Rameau
Rigaudons from the ballet bouffon Platée (1745)
Jean-Philippe Rameau
Musette en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)
Jean-Philippe Rameau
Tambourin en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)
Jean-Philippe Rameau
Aria “Rossignols amoureux”, from the tragédie lyrique Hippolyte et Aricie (1733)
Jean-Philippe Rameau
Chaconne dall’opéra-ballet Les Indes Galantes (1735)
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March 19 2026, 20:30 pm | Main Stage
Petite Messe Solennelle
Conductor Salvatore Punturo
Soprano Licia Piermatteo
Alto José Maria Lo Monaco
Tenor Pavel Kolgatin
Bass Christian Senn
First piano Giuseppe Cinà
Second piano Claudio Marchetti
Harmonium Pasquale Lo Cascio
Teatro Massimo Chorus
Gioachino Rossini
Petite Messe Solennelle
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March 22 2026, 8:30 pm| Main Stage
Orchestra Nazionale dei Conservatori
National Orchestra of the Italian Conservatories of Music
Conductor Diego Ceretta
Piano Elia Cecino
Orchestra Nazionale dei Conservatori
Project by the Ministry of University and Research
In collaboration with the Ottorino Respighi Conservatory in Latina
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Dmitri Shostakovich
Piano Concerto No. 2, Op. 102
1. Allegro – 2. Andante – 3. Allegro
Sergei Prokofiev
Suite from Romeo and Juliet
1. Montagues and Capulets (No. 1 from Suite No. 2, Op. 64 ter)
2. Juliet as a Young Girl (No. 2 from Suite No. 2, Op. 64 ter)
3. Madrigal (No. 3 from Suite No. 1, Op. 64 bis)
4. Minuet (No. 4 from Suite No. 1, Op. 64 bis)
5. Romeo and Juliet (No. 6 from Suite No. 1, Op. 64 bis)
6. Death of Tybalt (No. 7 from Suite No. 1, Op. 64 bis)
7. Friar Laurence (No. 3 from Suite No. 2, Op. 64 ter)
8. Romeo and Juliet Before Parting (No. 5 from Suite No. 2, Op. 64 ter)
9. Romeo at Juliet’s Tomb (No. 7 from Suite No. 2, Op. 64 ter)
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Ph. Franco Lannino
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April 12 2026, 8:30 pm | Main Stage
Mahler – Il Titano
Conductor Riccardo Frizza
Teatro Massimo Orchestra
W. A. Mozart
Symphony n. 41 in C major K 551 “Jupiter”
Gustav Mahler
Symphony n.1 “The Titan”
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Ph. Franco Lannino
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May 6 2026, 8:30 pm| Main Stage
Orchestra del Conservatorio Scarlatti
Orchestra of the Scarlatti Conservatory of Music
Conductor Giuseppe Crapisi
Flauto Alessandro Nigrelli
Orchestra of the Scarlatti Conservatory of Music
In collaboration with the Scarlatti Conservatory of Music in Palermo
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Programme
Leonardo Scicolone
Per l’umanità
Winning Composition of the Student Contest at the Palermo Conservatory of Musica “A. Scarlatti”
Carl Reinecke
Concerto for flute and orchestra in D major op. 283
1. Allegro molto moderato
2. Lento e mesto
3. Moderato – In tempo animato – Tempo I – Più mosso
– Più lento maestoso
Richard Wagner
Siegfried Idyll WWV 103
Franz Liszt
Hungarian Rhapsody No. 2 (orchestra version)
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Ph. Rosellina Garbo
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June 9 and 10 2026, 8:30 pm | Main Stage
Beethoven – Symphony No. 9
Conductor Nir Kabaretti
Soprano Maria Mudryak
Mezzosoprano Nino Surguladze
Tenor Antonio Poli
Bass-baritone Thomas Tatzl
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
Programme
Mikalojus Konstantinas Čiurlionis
Ludwig van Beethoven
Symphony n. 9 in D minor per soloists, chorus and orchestra op. 125
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Ph. Rosellina Garbo
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September 24 2026, 8:30 pm | Main Stage
Sicilian Jazz Orchestra – The Brass Group
Conductor Domenico Riina
Sicilian Jazz Orchestra
In collaboration with Sicilian Jazz Orchestra Foundation – The Brass Group
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October 11 2026, 8:30 pm | Main Stage
Ferro / Prokofiev / Stravinsky
Conductor Gabriele Ferro
Sergej Prokofiev
Sinfonia classica
Gabriele Ferro
Sintropia 3
Igor Stravinsky
Pulcinella
Teatro Massimo Orchestra and Youth Chorus
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From 15 to 19 March 2023 |Main Stage, Teatro Massimo
Music Adolphe Adam
Coreographer José Martinez
Conductor Mojca Lavrenčič
Scene and Costume Designs Francesco Zito
Lighting Design Jacopo Pantani
Costume Designs Assistant Mario Celentano*
A production of the Teatro dell’Opera di Roma
Cast
Medora Maia Makhateli (15, 16) / Linda Messina (17, 19) / Carla Mammo Zagarella (18)
Conrad Jakob Feyferlik (15, 16) / Michele Morelli (17, 19) / Emilio Barone (18)
Gulnara Giorgia Leonardi (15, 16) / Martina Pasinotti (17, 19) / Yuriko Nishihara (18)
Lankadem Alessandro Casà (15, 16) / Diego Mulone (17, 19) / Alessandro Cascioli (18)
Birbanto Diego Millesimo (15, 16, 19) / Giovanni Traetto (17, 18)
Amica di Birbanto Romina Leone (15, 16, 19) / Valentina Chiulli (17, 18)
Pascià Vincenzo Carpino (15, 16, 17, 19) / Filippo Terrinoni (18)
Eunuco Giuseppe Rosignano
Coppie di corsari solisti
Chiara Sgnaolin, Gianluca Mascia (15, 16, 18)
Mathilde Marlin, Alex Gattola (17, 19)
Lucia Ermetto, Giovanni Traetto (15, 16)
Annamaria Margozzi, Dennis Vizzini (17, 18, 19)
Tre odalische
Francesca Davoli (15, 16, 18) / Michaela Colino (17, 19)
Francesca Bellone (15, 16, 18) / Sabrina Montanaro (17, 19)
Michela Mazzoni (15, 16, 18) / Chiara Sgnaolin (17, 19)
Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau
Maître de ballet Guido Sarno
*as part of the “Fabbrica” Young Artist Program of the Teatro dell’Opera di Roma
Synopsis
ACT I
SCENE ONE – The Slave Market
The slave trader Lankendem displays his “merchandise” to the highest bidder. The visit of the wealthy Seyd Pasha puts the slave market in turmoil. The shrewd Lankendem presents the Pasha with the most attractive slave girls, but none of them meet his taste. Then he shows him the attractive Gulnare, who he has just captured earlier on. The Pasha, enchanted by her beauty, buys her immediately and throws a bag of gold to Lankendem who rejoices. But the slave trader has saved his greatest “spoil” for last, he suddenly shows off the beautiful Medora. The Pasha is immediately captured by her beauty.
There is a group of men lingering in the square. Its leader, Conrad, the Corsair, notices Me- dora and he is immediately spellbound by her beauty. Thanks to his immense wealth, the Pasha buys Medora and carries her off to his harem. He has no suspicion of the Corsairs’ plan. Indeed, Conrad, helped by his friend Birbanto, kidnaps the young girl right in front of the furious Pasha. In the general confusion that follows, the other girl slaves are freed, and, before the arrival of the Turkish soldiers, the Corsairs manage to capture Lankendem and quickly flee to a cave by the sea.
ACT I
SCENE TWO – The Corsair’s Cave
Conrad and the Corsairs return to their cave. They are very pleased with their own bravery which allowed them not only to take the girls away from Lankendem’s hands, but to have stolen a treasure. The slave girls ask Medora to intercede on their behalf so that Conrad may set them free. He accepts, but Birbanto and some of the Corsairs, who hope to make money out of them, protest vehemently against such decision. A violent discussion breaks out, but Conrad keeps his word and the girls are declared free from slavery. Conrad and Medora, self-assured and alone, bask in their new found love. Lankendem, meanwhile, tied up in ropes, silently witnessed the discussion between the Corsairs. He approaches Birbanto and his group by offering him a secret deal. If they release him, he will reveal them a sure way to prevail over Conrad: the Corsairs accept. He tells them that he has a potion with a very strong narcotic effect, which once is sprinkled on flowers and inhaled it is highly effective… In the meantime, the lovers return happily from their moment of shared joy. Conrad, wanting to offer proof of his love to Medora and seal it, takes a flower, smells its scent, but before offering it to her… he falls into a deep sleep.
The group of the rebel Corsairs surrounds Medora, who is terrified and realises she has fallen into a trap. The Corsairs let Lankendem escape with Medora. Birbanto is about to kill Conrad who suddenly wakes up. Desperate, for the loss of Medora, he sets out on his quest swearing to save her once again from the hands of Lankendem.
ACT II
SCENE ONE – The Harem of Seyd Pasha
Finally Gulnare enjoys her new life, refusing to bend to the rules of the harem and challenging the Pasha himself: her capriciousness is full of charm, so she manages to avoid any punish- ment. No other woman in the harem dares behave like her in the presence of the Pasha. A big party is being prepared in the harem, when suddenly Lankendem arrives with Medora. The Pasha is once again captivated by the beauty of the slave and to thank the slave trader for his service, he gives him a lavish reward.
Happy to have back in his harem the two most beautiful girls slaves, the Pasha, while smoking, falls asleep. In his dreams he reaches the Jardin animé, where all the women of his harem dance around him in harmony. Suddenly he wakes up: the Corsairs have invaded the palace during his sleep and are running away with the slaves.
ACT II
SCENE TWO – The Return to the Cave
Conrad and his friends return to theirs cave. Here they celebrate Medora and Conrad’s reunion. After the celebrations, they leave for the port where the Corsairs had previously prepared a ship. They all start a new journey towards happiness and new adventures.
EPILOGUE
The Corsair Ship
The Corsair ship takes off. Suddenly a storm breaks out. On a beach Medora and Conrad are the only two survivors of the shipwreck.

