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Anna

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30 September and 1 October 2023 |Main Stage, Teatro Massimo

A Contemporary Ballet
New Creation for the Teatro Massimo Ballet

Coreographer Vincenzo Veneruso
Music and Conductor
Paolo Buonvino
Scene Designs Chiara Pisani
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Teatro Massimo Ballet and Orchestra
Videomaking Gery Palazzotto with Antonio Di Giovanni e Davide Vallone

Cast

Anna Francesca Bellone
Luca Michele Morelli
Il fratello di Anna Alessandro Cascioli
Dowload the Full Cast

Synopsis

Programme

Music

From the soundtracks for L’ultimo bacio, N (Io e Napoleone), A casa tutti bene (seconda stagione), I Viceré, Padre Pio, I Medici, Caos calmo

Poster

About

From 13 to 18 June 2023 |Main Stage, Teatro Massimo

A neoclassic ballet
New creation for the Teatro Massimo Ballet
Pre-recorded music by 
Georges Bizet
in Rodion Scedrin‘s version

Coreographer Leo Mujić
Scene Designs Mislav Kuzmanic
Lighting Designs Aleksandar Čavlek
Assistant Coreographer and dramaturgy Bálint Csaba Rausher

A production of the Teatro Massimo
Costumes by ODD MERY GI (Stara Zagora, Bulgaria) designed by Lars Ayen

 

 

 

Cast

Carmen Marta Petkova (13, 15, 17) / Giorgia Leonardi (14, 16, 18)
Don José Nikola Hadjitanev (13, 15, 17) / Michele Morelli (14, 16, 18)
Escamillo Michele Morelli (13, 15, 17) / Diego Mulone (14, 16, 18)
Micaëla Yuriko Nishihara (13, 15, 17)  / Chiara Sgnaolin (14, 16, 18)
Fernanda Giorgia Leonardi (13, 15, 17) / Francesca Bellone (14, 16, 18)
Zuniga Andrea Mocciardini (13, 15, 17) / Vincenzo Carpino (14, 16, 18)
Mercedes Alessandro Cascioli
La madre Simona Filippone (13, 16) / Giada Scimemi (14, 18) / Noemi Ferrante (15, 17)

Teatro Massimo Ballet
Ballet Director Jean-Sébastien Colau

Programme

Running time

1 hour (no interval)

Synopsis

A square in Sevilla, soldiers are whiling away the time in front of their guardhouse, with their captain Zuniga who is very well known among the ladies. In a change of guards, Don José is about to take Zuniga’s place. The women from the factory pour into the square, eagerly watched by the men. Carmen enters and immediately recognizes José as a newcomer who, on the other hand, shows no notice of her at first, but her affection is burned into his memory.
Micaela who is longing for Don Josè’s love is bringing a letter from his mother in which she expresses her wishes that Micaela becomes his wife.
Carmen is lazy to work her shift and an argument between her and Fernanda breaks out in the factory. Attracted by the noise, the crowd storms inside. Carmen has injured Fernanda, who accuses her to José and he escorts Carmen to custody.
Carmen seduces Don José and promising to spend the night with him, persuades him to let her go. Don José remains torn between desire and his sense of duty. Her best friend Mercedes helps her escape. When Zuniga finds out that José failed to fulfill his duty, he discharges him, and goes after Carmen.
Having escaped custody, Carmen and her friends are celebrating the arrival of the re- nowned torero Escamillo who is immediately attracted to Carmen, and vice versa. After spending a night with Escamillo, Zuniga finds Carmen alone. He attacks her and tries to rape her, but José comes to save her and shoots Zuniga.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.

About

From 19 to 25 May 2023 |Main Stage, Teatro Massimo

Music Pëtr Il’ič Čajkovskij
Conductor Omer Meir Wellber
Director Julien Chavaz
Associate Director Annemiek van Elst
Scene Designs Amber Vandenhoeck
Costume Designs Sanne Oostervink
Lighting Design Eloi Gianini
Assistant Director Fleur Snow
Costume Designs Assistant Maartje Prins, Nadine Hempel
Russian Coach Stanislav Chernyshov

A production Theater Magdeburg / Opéra de Lorraine

 

Cast

Larina Helene Schneiderman
Tat’jana Carmen Giannattasio (19, 21, 23, 25) / Natalia Tanasii (20, 24)
Olga Victoria Karkacheva
Filipp’evna Margarita Nekrasova
Evgenij Onegin Artur Rucinski (19, 21, 23, 25) / Nikolai Zemlianskikh (20, 24)
Vladimir Lenskij Saimir Pirgu (19, 21, 23, 25) / Pavel Petrov (20, 24)
Principe Gremin Giorgi Manoshvili
Monsieur Triquet/Un contadino James Kryshak
Zareckij/Un capitano Andrii Ganchuk
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

Biglietti in vendita dal

2 aprile 2023

Running Time

Three hours and 10 minutes with two 15 minutes intermissions

About

From19 to 21, 23,24 and 26 September 2023 |Main Stage, Teatro Massimo

Opera in three acts
by 
Christoph Willibald Gluck
Conductor Gabriele Ferro
Director and Coreographer Danilo Rubeca
Scene Designs Domenico Franchi
Costume Designs Alessio Rosati
Lighting Designs Marco Giusti
Assistant Director & Coreographer Emanuele Burrafato
Assistant Scene Designs Francesca Nieddu
Assistant Costume Designs Rosa Mariotti
New production

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Cast

Orfeo Filippo Mineccia
Euridice Federica Guida
Amore Nofar Yacobi

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Running time: 1 hour and 40 minutes without interval

The Premiere (Sept 19) will be available in free livestreaming on the Teatro Massimo WebTV

Listening Guides (in Italian)

• Thursday September 14, 6pm in Sala Onu, Invito all’ascolto by the Friends of del Teatro Massimo with Lorenzo Mattei
• Tuesday September 19,
6:30pm in Sala Onu, Vi racconto l’opera with Beatrice Monroy, Sabrina Petyx e Gigi Borruso

 

Synopsis

Act I

A chorus of nymphs and shepherds sings a mourning hymn around the tomb of Eurydice (“Ah, se intorno a quest’urna funesta”). Orpheus asks them to leave him alone, and express his grief for the death of his wife, his rage against the cruel gods, and his determination to bring Eurydice back to life (“Chiamo il mio ben così”). Cupid appears and tells Orpheus that Jove allows him to descend to the underworld to try to reclaim his wife. Orpheus must appease the Furies with his music and bring Eurydice back to the upper world without never looking at her or explaining his behaviour, otherwise he will lose her for ever (“Gli sguardi trattieni”). Orpheus heads to Hades with his lyre as only weapon.

Act II

The gates of Hades are guarded by Furies and demons, who threatens Orpheus with their dance (“Chi mai dell’Erebo fra le caligini”). Orpheus plays his lyre and sings his despair (“Deh, placatevi con me”). The Furies at first refuse to let him move on into the Elysian Fields. Then they are gradually touched by his laments and moved by his singing, and they let him pass the entrance of the underworld. The scene is now in the Elysian Fields. Orpheus arrives, seeking his beloved wife (“Che puro ciel”). The Blessed Spirits restore Eurydice, veiled, to Orpheus, and he hurries to lead her away, without looking at her.

Act III

Orpheus and Eurydice are on their road to the upper world. Eurydice, who doesn’t know of the gods injunction, is suspicious, and asks him to explain his behaviour or at least to look at her (“Vieni, appaga il tuo consorte”). Orpheus tries to keep his face turned away and to bring her to the upper world, but when she faints, he is forced to to infringe the gods’ will. As soon as their eyes meet, Eurydice dies again with a last farewell. Orpheus is desperate and about to kill himself (“Che farò senza Euridice”). Cupid appears and announces that Orpheus’ love and faith have moved again the gods. Eurydice is restored to life, and they will enjoy a new life of pleasures and love on earth (“Divo Amor, son tue pene”). Nymphs and shepherds celebrate with dances the power of Cupid (“Trionfi Amore”).

The Poster

About

From 16 to 23 April 2023 |Main Stage, Teatro Massimo

Lyric tragedy in two acts
by Vincenzo Bellini
Conductor Lorenzo Passerini
Directors Ugo Giacomazzi and Luigi Di Gangi
Scene Design Federica Parolini
Costume Design Daniela Cernigliaro
Lighting Design Luigi Biondi
Assistant Director and Assistant Lighting Design Francesco Traverso

A production of the Teatro Massimo in co-production with Sferisterio di Macerata

 

Cast

Norma Marina Rebeka (16, 20, 23) / Desirée Rancatore (18, 19, 22)
Pollione Dmitry Korchak (16, 18, 20, 23) / Matteo Falcier (19, 22)
Adalgisa Maria Barakova (16, 18, 20, 23) / Lilly Jørstad (19, 22)
Oroveso Riccardo Fassi
Flavio Massimiliano Chiarolla
Clotilde Elisabetta Zizzo
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

ACT I

In the 1st century A.D. Gaul is occupied by the Romans. Oroveso, head of the druids, and the Gauls are waiting the high priestess and daughter of Oroveso, Norma, to reveal the will of the God Irminsul, and therefore a sign for the war against the Romans to start (“Ite sul colle, o Druidi”). 

During their regular patrol, the roman proconsul Pollione tells his friend Flavio that he is no longer in love with his secret lover Norma. He has fallen for the novice Adalgisa. Norma has already given him two sons (“Meco all’altar di Venere”). 

Norma arrives at the temple and tells the Gauls that the time is not ready for war (“Sediziose voci” – “Casta diva”). 

After everyone has left, the novice Adalgisa arrives at the altar and prays to the God because she has fallen in love with the proconsul Pollione. He surprises her and persuades her to go with him to Rome (“Va’, crudele, e al dio spietato”).
Meanwhile, Norma and Clotilde, the only one who knows about her two sons, are with the children in Norma’s home. Norma heard that Pollione has to go back to Rome but she is not sure that he will take her and the two children with him anymore. Clotilde hides the two sons before Adalgisa’s arrival. Adalgisa wants to break her vow to follow her lover (“Sola, furtiva al tempio”). Norma is ready to release Adalgisa from her vow, but when she learns that Pollione is the lover, her love towards him changes into hate (“Oh, di qual sei tu vittima”). At this moment the holy bell is heard and Norma has to go into the temple for the ceremony.

ACT II

Norma wants to kill herself and the children to keep them away from Pollione (“Dormon entrambi”). But she cannot. Instead, she summons Adalgisa to take the children with her and Pollione to Rome (“Deh! con te, con te li prendi”). The girl refuses, she wants to bring Pollione back to Norma (“Mira, o Norma”). 

The Gauls assemble at the altar to hear Oroveso’s announcement that Pollione is being replaced by a crueler commander (“Ah! del Tebro al giogo indegno”). 

Norma is waiting for the return of Pollione but Clotilde tells her that Pollione won’t go without Adalgisa. Norma takes this as the sign from the God Irminsul, and announces the war against the Romans (“Guerra! Guerra!”). Before the war can begin, they have to bring a sacrifice to the God. In this moment Clotilde arrives and says that a roman soldier has invaded the temple. Pollione is brought to the altar and Oroveso demands his death.
Norma wants to speak with Pollione alone and offers him his freedom if he leaves Adalgisa (“In mia man alfin tu sei”). But even the threat to kill the two children cannot change Pollione’s mind. Norma swears to kill not only the Romans but also Adalgisa.  Pollione wants to kill himself, but Norma calls back the Gauls and announces that a priestess has broken her vows and therefore she will be the sacrifice. But instead of saying Adalgisa’s name, she says her own. She confesses her love towards Pollione (“Qual cor tradisti”). Her last thoughts are with her children, which she entrusts to her father (“Deh, non volerli vittime”). Oroveso promises to take care of them. The Gauls curse Norma on her way to the pyre. Pollione realises his love towards Norma and follows her into death. 

Cast

November 22 – 28 2023 | Main Stage, Teatro Massimo

Opera in two acts by Vincenzo Bellini
Libretto by Felice Romani

Conductor Omer Meir Wellber
Director and Coreographer Idan Cohen
Scenes Designs Riccardo Massironi
Costume Designs Edoardo Russo
Lighting Designs Bambi
Dramaturgy and Assistant Director Raina Von Waldenburg
Assistant Director Antonella Cozzolino
Assistant Coreographer Ted Littlemore
Teatro Massimo Chorus, Ballet and Orchestra
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A new production of the Teatro Massimo di Palermo

 

 

Cast

Romeo Maria Kataeva (22, 24, 26, 28) / Anna Pennisi (23, 25)
Giulietta Marina Monzó (22, 24, 26, 28) / Francesca Pia Vitale (23, 25)
Tebaldo Ioan Hotea (22, 24, 26) / Mert Süngü (23, 25, 28)
Capellio Marco Spotti
Lorenzo Gabriele Sagona

Tickets

Tickets

Booking opens on November 7 2023

Price range: 20 to 145 euro
[check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

 

About

December 15 – 23 2023 | Main Stage, Teatro Massimo

Music Sergej Rachmaninov
Coreographer Jean-Sébastien Colau and Vincenzo Veneruso
Conductor Danila Grassi
Scene Designs Apolonia Polona Loborec
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Piano Alberto Ferro (15, 17, 20, 22) / Davide Ranaldi (16, 19, 21, 23)
Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau
A new creation of the Teatro Massimo di Palermo

Duration: 1 hour 50 minutes (including a 20-minute break)

Photographs Rosellina Garbo

Cast & Music

Cast

Biancaneve Carla Mammo Zagarella (15, 19, 22) / Martina Pasinotti (16, 20, 23) Yuriko Nishihara (17, 21)
Cacciatore Michele Morelli (15, 19, 22) / Alessandro Cascioli (16, 20, 23) Alessandro Casà (17, 21)
Regina
Francesca Davoli (15, 19, 22) / Linda Messina (16, 20, 23) Francesca Bellone (17, 21)
Alberi
Vincenzo Carpino, Diego Millesimo, Andrea Mocciardini, Riccardo Riccio
La cerbiatta
Daniela Filangeri (15, 19, 22) / Sabrina Montanaro (16, 20, 23) Carmen Diodato (17, 21)
Il Diamante Giulia Neri (15, 16, 19, 21, 23) / Chiara Sgnaolin (17, 20, 22)

Diamanti solisti
Annamaria Margozzi, Michaela Colino (15, 19, 22) Chiara Sgnaolin, Michaela Colino (16, 21, 23), Claudia Bevivino, Martina Quintiliani (17, 20)
I sette minatori
Lucia Ermetto (15, 17, 19, 21, 22)/ Valentina Chiulli (16, 20, 23), Emilio Barone, Gianluca Mascia, Diego Mulone, Giovanni Traetto, Dennis Vizzini, Francesco Curatolo
Il giullare di corte
Benedetto Oliva

Music by Sergej Rachmaninov

Concerto for piano and orchestra No. 2 in C minor op. 18

Rhapsody on a theme by Paganini for piano and orchestra op. 43

Adagio from the Symphony No. 2 in E minor op. 27

Cast

January 20 – 28 2024 | Main Stage Teatro Massimo

Opera in three acts by Giuseppe Verdi
Libretto by Francesco Maria Piave

Conductor Daniel Oren
Director John Turturro
restaged by Cecilia Ligorio
Scene Designs Francesco Frigeri
Costume Designs Marco Piemontese
Lighting Designs Alessandro Carletti
Lighting Designs Revival Ludovico Gobbi
Coreographer Giuseppe Bonanno
Teatro Massimo Chorus, Ballet and Orchestra
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A production of the Teatro Massimo di Palermo in coproduzione con Teatro Regio di Torino, Shaanxi Opera House e Opéra Royal de Wallonie-Liège

 

 

Cast

Rigoletto Amartuvshin Enkhbat (20, 24, 26, 28) / Daniel Luis de Vicente (21, 23, 25, 27)
Duca di Mantova Ivan Ayón Rivas (20, 24, 26, 28) / Ioan Hotea (21, 23, 25, 27)
Gilda Giuliana Gianfaldoni (20, 24, 26, 28) / Federica Guida (21, 23, 25, 27)
Giovanna Agostina Smimmero
Sparafucile Alexei Kulagin
Maddalena Valeria Girardello
Borsa Rosolino Claudio Cardile
Marullo Alessio Verna
Ceprano Italo Proferisce
Monterone Nicolò Ceriani
Contessa di Ceprano/Paggio Emanuela Sgarlata
Usciere di corte Enrico Cossutta (20, 24, 26, 28) / Federico Cucinotta (21, 23, 25, 27)

Tickets

Tickets

Booking opens on December 12 2023

from 22 to 165 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

Info

February 16 – 24 2024 | Main Stage, Teatro Massimo

Japanese tragedy in two acts by Giacomo Puccini
Libretto by Giuseppe Giacosa and Luigi Illica

Conductor Omer Meir Wellber / Keren Kagarlitsky (24)
Director Nicola Berloffa
Associate Director Luigia Frattaroli
Scene Designs Fabio Cherstich
Costume Designs Valeria Donata Bettella
Lighting Designs Valerio Tiberi
Design video Paul Secchi
Dramaturgy Alexandra Jud

Teatro Massimo Chorus and Orchestra
Chorus Master Salvatore Punturo
A production of the Teatro Massimo Palermo
in coproduction with Macerata Opera

Cast

Cio-cio-san Maria Agresta (16, 18, 21, 23) / Barno Ismatullaeva (17, 20, 22, 24)
Suzuki Silvia Beltrami (16, 18, 21, 23) / Irene Savignano (17, 20, 22, 24)
Kate Emanuela Sgarlata
B. F. Pinkerton Jonathan Tetelman (16, 18, 21, 23) / Ivan Magrì (17, 20, 22, 24)
Sharpless Simon Mechliński (16, 18, 21, 23) Lodovico Filippo Ravizza (17, 20, 22, 24)
Goro Massimiliano Chiarolla
Il principe Yamadori Italo Proferisce
Lo Zio Bonzo Nicolò Ceriani
Yakusidé Cosimo Diano
Il Commissario imperiale Alessio Gatto Goldstein (16, 18, 21, 23) / Enrico Cossutta (17, 20, 22, 24)
L’ufficiale del Registro Gianfranco Giordano (16, 18, 21, 23) / Enrico Caruso (17, 20, 22, 24)
La Madre di Cio-Cio-San Damiana Li Vecchi (16, 18, 21, 23) / Daniela My (17, 20, 22, 24)
La Zia Gabriella Barresi (16, 18, 21, 23 )/ Mariella Maisano (17, 20, 22, 24)
La Cugina Cecilia Galbo (16, 18, 21, 23) / Simona Guaiana (17, 20, 22, 24)
Dolore Anastasia Lo Verde

Tickets

Tickets

Booking opens on January 9 2024

from 22 to 165 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

2023-2024 Season Tickets Page

Poster