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Di Vittorio / Greco Concert

About

Conductor Salvatore Di Vittorio
Violin Salvatore Greco

Teatro Massimo Orchestra

Bookings open on December 12 2022

Programme

Ottorino Respighi

Fontane di Roma

Salvatore Di Vittorio

Viaggi di Enea for violin and orchestra (World Premiere)

Ottorino Respighi

Berceuse for strings

John Williams

Star Wars Suite

About

Strings Quarted of the Teatro Massimo Orchestra
Violin Silviu Dima
Violin Gioacchino Di Stefano
Viola Rosario D’Amato
Cello Giuseppe Nastro

Programme

Omer Meir Wellber

Piano and accordion

Hila Baggio

Soprano

Ernesto Tomasini

Performer

About

Conductor Omer Meir Wellber
Cello Steven Isserlis

Teatro Massimo Orchestra

Programme

Edward Elgar

Concerto per violoncello op. 85

Ludwig van Beethoven

Sinfonia n. 3 op. 55 “Eroica”

About

November 27 2022 – 8:30pm | Main Stage, Teatro Massimo

Conductor Manuela Ranno
Tenor Enea Scala
Soprano Federica Guida

Teatro Massimo Orchestra and Chorus

Programme

Gioachino Rossini

Sinfonia da Semiramide

Vincenzo Bellini

“Ah non credea mirarti, ah non giunge” da La sonnambula

Gioachino Rossini

“Eccomi a voi, miei prodi” da La donna del lago

Giuseppe Verdi

Pas de quatre da Jerusalem

Giuseppe Verdi

“È il sol dell’anima… Addio, addio” da Rigoletto

Giacomo Puccini

Intermezzo da Manon Lescaut

Gaetano Donizetti

“Lucia perdona… verranno a te sull’aure” da Lucia di Lammermoor

Giuseppe Verdi

“O Signore dal tetto natio” da I lombardi alla prima crociata

Gaetano Donizetti

“Tombe degli avi miei” da Lucia di Lammermoor

Jacques Offenbach

“Les oiseaux dans la charmille” da Les contes d’Hoffmann

About

Conductor Ben Glassberg
Tenor Enea Scala

Teatro Massimo Orchestra and Chorus

Programme

Hector Berlioz

“Inutiles regrets” from Les Troyens

Camille Pepin

Laniakea for orchestra

Jules Massenet

“Je ne sais si je veille… O nature, pleine de grâce” from Werther

Jules Massenet

“Un autre est son époux!” from Werther

Maurice Ravel

Le tombeau de Couperin

Maurice Ravel

Daphnis et Chloé Suite No. 2 for orchestra and chorus

About

24, 26, 28, 29 October  and 2 November 2023 |Main Stage, Teatro Massimo

Notice to the audience

The Fondazione Teatro Massimo informs the public that the Premiere of the opera “Don Giovanni” has not taken place, following the adhesion of the theatre workers to the national strike (called by the national secretariats SLC – CGIL, FISTEL – CISL, UILCOM – UIL, FIALS – CISAL) for the renewal of the National Collective Labour Contract of the Lyric Symphonic Foundations.

Thanks to the availability of Maestro Riccardo Muti and of the entire cast, the theatre has scheduled a performance on Sunday October 29th at 8 p.m.

Subscribers and ticket holders of the Premiere (October 24th) may attend the new performance, scheduled for Sunday October 29th at 8.00 p.m., using the same ticket and keeping the same seat. If unable to attend the new performance on Sunday October 29th, subscribers and ticket holders may still request a refund. [Refund info here]
We apologize to the audience for the inconvenience, thank you for your understanding.

Music by Wolfgang Amadeus Mozart
Conductor Riccardo Muti
Director Chiara Muti
Scene Design Alessandro Camera
Costume Design Tommaso Lagattolla
Lighting Design Vincent Longuemare
Assistant Director Paolo Vettori
Assistent Scene Design Andrea Gregori
Assistant Costume Design Francesco Ceo

A new production of the Teatro Massimo
in co-production with Teatro Regio di Torino

Cast

Don Giovanni Luca Micheletti
Donna Anna Maria Grazia Schiavo
Donna Elvira Mariangela Sicilia
Don Ottavio Giovanni Sala
Leporello Alessandro Luongo
Zerlina Francesca Di Sauro
Masetto Leon Košavić
Il Commendatore Vittorio De Campo

Maestro at the fortepiano Alessandro Benigni
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

Maestro Riccardo Muti’s Photograph © Todd Rosenberg Photography 2012
riccardomuti.com

More info

Bookings open on

September 5 2023

Info

30 September and 1 October 2023 |Main Stage, Teatro Massimo

A Contemporary Ballet
New Creation for the Teatro Massimo Ballet

Coreographer Vincenzo Veneruso
Music and Conductor
Paolo Buonvino
Scene Designs Chiara Pisani
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Teatro Massimo Ballet and Orchestra
Videomaking Gery Palazzotto with Antonio Di Giovanni e Davide Vallone

Cast

Anna Francesca Bellone
Luca Michele Morelli
Il fratello di Anna Alessandro Cascioli
Dowload the Full Cast

Synopsis

Programme

Music

From the soundtracks for L’ultimo bacio, N (Io e Napoleone), A casa tutti bene (seconda stagione), I Viceré, Padre Pio, I Medici, Caos calmo

Poster

About

From 13 to 18 June 2023 |Main Stage, Teatro Massimo

A neoclassic ballet
New creation for the Teatro Massimo Ballet
Pre-recorded music by 
Georges Bizet
in Rodion Scedrin‘s version

Coreographer Leo Mujić
Scene Designs Mislav Kuzmanic
Lighting Designs Aleksandar Čavlek
Assistant Coreographer and dramaturgy Bálint Csaba Rausher

A production of the Teatro Massimo
Costumes by ODD MERY GI (Stara Zagora, Bulgaria) designed by Lars Ayen

 

 

 

Cast

Carmen Marta Petkova (13, 15, 17) / Giorgia Leonardi (14, 16, 18)
Don José Nikola Hadjitanev (13, 15, 17) / Michele Morelli (14, 16, 18)
Escamillo Michele Morelli (13, 15, 17) / Diego Mulone (14, 16, 18)
Micaëla Yuriko Nishihara (13, 15, 17)  / Chiara Sgnaolin (14, 16, 18)
Fernanda Giorgia Leonardi (13, 15, 17) / Francesca Bellone (14, 16, 18)
Zuniga Andrea Mocciardini (13, 15, 17) / Vincenzo Carpino (14, 16, 18)
Mercedes Alessandro Cascioli
La madre Simona Filippone (13, 16) / Giada Scimemi (14, 18) / Noemi Ferrante (15, 17)

Teatro Massimo Ballet
Ballet Director Jean-Sébastien Colau

Programme

Running time

1 hour (no interval)

Synopsis

A square in Sevilla, soldiers are whiling away the time in front of their guardhouse, with their captain Zuniga who is very well known among the ladies. In a change of guards, Don José is about to take Zuniga’s place. The women from the factory pour into the square, eagerly watched by the men. Carmen enters and immediately recognizes José as a newcomer who, on the other hand, shows no notice of her at first, but her affection is burned into his memory.
Micaela who is longing for Don Josè’s love is bringing a letter from his mother in which she expresses her wishes that Micaela becomes his wife.
Carmen is lazy to work her shift and an argument between her and Fernanda breaks out in the factory. Attracted by the noise, the crowd storms inside. Carmen has injured Fernanda, who accuses her to José and he escorts Carmen to custody.
Carmen seduces Don José and promising to spend the night with him, persuades him to let her go. Don José remains torn between desire and his sense of duty. Her best friend Mercedes helps her escape. When Zuniga finds out that José failed to fulfill his duty, he discharges him, and goes after Carmen.
Having escaped custody, Carmen and her friends are celebrating the arrival of the re- nowned torero Escamillo who is immediately attracted to Carmen, and vice versa. After spending a night with Escamillo, Zuniga finds Carmen alone. He attacks her and tries to rape her, but José comes to save her and shoots Zuniga.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.

About

From 19 to 25 May 2023 |Main Stage, Teatro Massimo

Music Pëtr Il’ič Čajkovskij
Conductor Omer Meir Wellber
Director Julien Chavaz
Associate Director Annemiek van Elst
Scene Designs Amber Vandenhoeck
Costume Designs Sanne Oostervink
Lighting Design Eloi Gianini
Assistant Director Fleur Snow
Costume Designs Assistant Maartje Prins, Nadine Hempel
Russian Coach Stanislav Chernyshov

A production Theater Magdeburg / Opéra de Lorraine

 

Cast

Larina Helene Schneiderman
Tat’jana Carmen Giannattasio (19, 21, 23, 25) / Natalia Tanasii (20, 24)
Olga Victoria Karkacheva
Filipp’evna Margarita Nekrasova
Evgenij Onegin Artur Rucinski (19, 21, 23, 25) / Nikolai Zemlianskikh (20, 24)
Vladimir Lenskij Saimir Pirgu (19, 21, 23, 25) / Pavel Petrov (20, 24)
Principe Gremin Giorgi Manoshvili
Monsieur Triquet/Un contadino James Kryshak
Zareckij/Un capitano Andrii Ganchuk
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

Biglietti in vendita dal

2 aprile 2023

Running Time

Three hours and 10 minutes with two 15 minutes intermissions