A funny little man descends one evening from a moonbeam and finds himself in the fascinating circus life populated by acrobats, clowns, knife throwers, ferocious animals, tamers, and lots of music…

The legend of Tristan and Isolde, one of the most romantic stories of the Middle Ages, is very old: it tells the adventures of a knight and a princess who fall in love thanks to a magic elixir. Wagner composed the opera based on Goffredo di Strasburgo’s text and staged it in 1865. It is still considered one of the masterpieces of all time. The version that will be performed, while maintaining the essential dramaturgical and musical lines intact, is adapted in such a way as to exalt the magical and symbolic fairy-tale aspects of the story, which has at its centre important themes linked to the imaginary and ideal horizon of the world of chivalry, such as the search for love, the relationship between public morality and private morality, sin and fidelity.

A ball is a belly, a head, an animal body. For play it is constantly transformed, and in between jokes, it is even possible for it to become Falstaff! Inspired by Giuseppe Verdi’s masterpiece, this very early childhood show explores play as a universal language, transporting young spectators to an enchanted universe where anything is possible. A poetic adventure that stimulates the imagination and celebrates fantasy.

The legend of Tristan and Isolde, one of the most romantic stories of the Middle Ages, is very old: it tells the adventures of a knight and a princess who fall in love thanks to a magic elixir. Wagner composed the opera based on Goffredo di Strasburgo’s text and staged it in 1865. It is still considered one of the masterpieces of all time. The version that will be performed, while maintaining the essential dramaturgical and musical lines intact, is adapted in such a way as to exalt the magical and symbolic fairy-tale aspects of the story, which has at its centre important themes linked to the imaginary and ideal horizon of the world of chivalry, such as the search for love, the relationship between public morality and private morality, sin and fidelity.

In 1600s Spain, a man fascinated by epic tales of chivalry and scornful of danger, imagines himself to be the knight Don Quixote committed, along with his squire Sancho Panza, to protect the people from injustice… starting from this incipit, author Miguel de Cervantes (played by Lollo Franco) will tell a new adventure of his characters, to the music of the 1746 intermezzo by Giovanni Battista Martini.

What a big mountain of boxes! So many locks, laces and padlocks… what could possibly be hidden back there? One foot… two hands… three musical notes… one eye… two lips… three riddles to be solved by dawn. Are you in there, Turandot? Calaf is looking for you! Are you sure you won’t come out? Look at your wings. Your cocoon is just a moment, a before, which will become a butterfly afterwards. Don’t be afraid!

The show introduces the young audience to the discovery of Mozart’s life and his music through encounters with the most famous characters from his works, in a theatrical play that mixes life and theatre.