The legend of Tristan and Isolde, one of the most romantic stories of the Middle Ages, is very old: it tells the adventures of a knight and a princess who fall in love thanks to a magic elixir. Wagner composed the opera based on Goffredo di Strasburgo’s text and staged it in 1865. It is still considered one of the masterpieces of all time. The version that will be performed, while maintaining the essential dramaturgical and musical lines intact, is adapted in such a way as to exalt the magical and symbolic fairy-tale aspects of the story, which has at its centre important themes linked to the imaginary and ideal horizon of the world of chivalry, such as the search for love, the relationship between public morality and private morality, sin and fidelity.

A ball is a belly, a head, an animal body. For play it is constantly transformed, and in between jokes, it is even possible for it to become Falstaff! Inspired by Giuseppe Verdi’s masterpiece, this very early childhood show explores play as a universal language, transporting young spectators to an enchanted universe where anything is possible. A poetic adventure that stimulates the imagination and celebrates fantasy.

The workshop is recommended from the fifth to the eighth month of pregnancy, when it has been scientifically proven that the fetus begins to perceive and react to sounds coming from outside. Reproducing the sounds perceived during gestation, especially the voices of the parents, after birth, produces relaxing effects, intensifies the sound bond with the baby, and promotes vocal identification.

The legend of Tristan and Isolde, one of the most romantic stories of the Middle Ages, is very old: it tells the adventures of a knight and a princess who fall in love thanks to a magic elixir. Wagner composed the opera based on Goffredo di Strasburgo’s text and staged it in 1865. It is still considered one of the masterpieces of all time. The version that will be performed, while maintaining the essential dramaturgical and musical lines intact, is adapted in such a way as to exalt the magical and symbolic fairy-tale aspects of the story, which has at its centre important themes linked to the imaginary and ideal horizon of the world of chivalry, such as the search for love, the relationship between public morality and private morality, sin and fidelity.

In 1600s Spain, a man fascinated by epic tales of chivalry and scornful of danger, imagines himself to be the knight Don Quixote committed, along with his squire Sancho Panza, to protect the people from injustice… starting from this incipit, author Miguel de Cervantes (played by Lollo Franco) will tell a new adventure of his characters, to the music of the 1746 intermezzo by Giovanni Battista Martini.

Frantz Samuele Di Leo (2, 4, 6, 9, 11, 13) / Alfonso Zambuto (3, 5, 7, 10, 12, 14)
Grittly Fabiola Galati (2, 4, 6, 9, 11, 13) / Federica Foresta (3, 5, 7, 10, 12, 14)
Berthold Giovanni Palminteri (2, 4, 6, 9, 11, 13) / Nicola Ciancio (3, 5, 7, 10, 12, 14)

Teatro Massimo Orchestra

A Teatro Massimo New Production

Frantz and Grittly are two young street artists from Tyrol on the route to Strasbourg. Why are they traveling? To visit and help Charlotte, Grittly’s sister, who has recently become a widower, after the alleged passing of her husband Bertoldo. Their encounter with a merchant called ‘U Venditor sweeps them up in a whirlwind of misunderstandings, promises, and lies: everything revolves around a lottery ticket, a symbol of easy (and deceptive) fortune. Amid laughter and twists and turns, the show invites us to reflect on how fragile dreams of wealth are and how solid human bonds and the truth of feelings are.

What a big mountain of boxes! So many locks, laces and padlocks… what could possibly be hidden back there? One foot… two hands… three musical notes… one eye… two lips… three riddles to be solved by dawn. Are you in there, Turandot? Calaf is looking for you! Are you sure you won’t come out? Look at your wings. Your cocoon is just a moment, a before, which will become a butterfly afterwards. Don’t be afraid!

In 1600s Spain, a man fascinated by epic tales of chivalry and scornful of danger, imagines himself to be the knight Don Quixote committed, along with his squire Sancho Panza, to protect the people from injustice… starting from this incipit, author Miguel de Cervantes (played by Lollo Franco) will tell a new adventure of his characters, to the music of the 1746 intermezzo by Giovanni Battista Martini.

Arturo, capocomico Gigi Borruso
Adelina, prim’attrice Stefania Blandeburgo
Gualpierina Carla Carta

SINGERS
Ariè Daniele Muratori Caputo / Nicola Ziccardi
Cabaletta Giulia Alletto / Aurora Bruno
Bis Mariano Orozco / Giuseppe Esposito

Teatro Massimo Orchestra

A Teatro Massimo Production

Let your clouds take flight! Here we are again with the second fantastic adventure of the Compagnia de’ Pazzarielli!
On stage you will find Arturo, leader of a band of die-hard visionaries, Adelina, his faithful artistic companion, the young Gualpierina, an acrobat and jack-of-all-trades, singers Ariè, Cabaletta and Bis and, of course, our amazing orchestra.
We will sail through the waves of an unpredictable sea, where the waves of music grow dizzyingly, one on top of the other, to land in some of the many Gioachino Rossini’s fairy tales: in Algiers, recalling the love affairs of a beautiful Italian woman kidnapped by pirates, and in Seville, to discover the intrigues of a famous barber. Finally, the company will arrive in a mysterious country, where everyone can improvise their own story and weave the fabric of their fantasies.