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Il barbiere di Siviglia - Prova generale La casa di Lucia

Info

La prova generale de Il barbiere di Siviglia è aperta a favore dell’associazione “La Casa di Lucia A.P.S.”.

L’Associazione è nata per portare avanti i valori e le idee di Lucia Pepe, una donna straordinaria che ha dedicato la sua vita al servizio degli altri ed è scomparsa prematuramente all’età di 34 anni, a causa di una malattia.
Fondata con l’intento di perpetuare il ricordo di Lucia attraverso azioni concrete, l’associazione si impegna a promuovere valori di accoglienza, giustizia sociale, uguaglianza, cooperazione internazionale e sviluppo sostenibile dell’ambiente. Seguendo l’esempio di Lucia, “La Casa di Lucia A.P.S.” si dedica a sostenere e sviluppare progetti che rispecchiano i suoi valori, lavorando ogni giorno per fare la differenza nella vita delle persone svantaggiate.

Biglietti

Per info e prenotazioni contattare il numero 333 3741568.
Dal 14 settembre 2025 sarà possibile acquistare gli eventuali biglietti ancora disponibili presso la biglietteria del Teatro Massimo.

Biglietti da 20 a 75 euro

La somma raccolta dalle vendite dei biglietti, al netto di oneri e costi di gestione, sarà devoluta all’Associazione La casa di Lucia.

Biglietti

Biglietti

I settore 75 euro
II settore 65 euro
III  settore 55 euro
IV settore 45 euro
V e VI settore 35 euro
VII settore 30 euro
VIII settore 20 euro

La locandina

Info

Mariella Devia

Wednesday, january 30 2019, 8:30 pm |Main stage, Teatro Massimo

Soprano Mariella Devia
Piano
Giulio Zappa

 

 

Programme

Programma

Gaetano Donizetti
“Com’è bello” from Lucrezia Borgia
“L’amor suo mi fé beata” from Roberto Devereux

Gioachino Rossini
Une caresse à ma femme, from volume VI
Album pour les enfants dégourdis pour piano, dei Péchés de vieillesse

Felix Mendelssohn
Romanza senza parole op. 67 n. 2 for piano

Franz Liszt
Oh! quand je dors S. 282

Charles Gounod
Au printemps

Charles Gounod
“Ah! je ris de me voir si belle en ce miroir” (Air des bijoux) from Faust

***

Giuseppe Verdi
“Non so le tetre immagini”
from Il corsaro
 “Sempre all’alba” from Giovanna d’Arco

Giuseppe Martucci
Notturno op. 70 n. 1 for pianoforte

Vincenzo Bellini
“Col sorriso d’innocenza” from Il pirata

Info

Nicola Alaimo

Friday, march 1 2019, 8:30 pm | Main stage, Teatro Massimo

Baritone Nicola Alaimo   
Piano Giuseppe Cinà

 

 

Programme

Programme

Gioacchino Rossini
“Largo al factotum” from Il barbiere di Siviglia

Giacomo Puccini
“Era uguale la voce?” from Gianni Schicchi

Francesco Cilea
“Ecco il monologo” from Adriana Lecouvreur

Gaetano Donizetti
“Decio, Signor del mondo… Di tua beltade immagine” from Poliuto

Giuseppe Verdi
“L’onore! Ladri!” from Falstaff
“Toh! Toh! Poffare il mondo” from La forza del destino

Cramer
Choix de mélodies sur Rigoletto, for piano

Giuseppe Verdi
“Cortigiani vil razza dannata” da Rigoletto
Romanza for piano
Valzer for piano

Umberto Giordano
“Nemico della patria” from Andrea Chénier

***

Francesco Paolo Tosti
Sogno
Malia
L’alba separa dalla luce l’ombra

Ernesto De Curtis
Ti voglio tanto bene

Stanislao Gastaldon
Musica proibita

Libero Bovio
Passione

Ernesto De Curtis
Non ti scordar di me

Gaetano Emanuel Calì
E vui durmiti ancora

Info

Ian Bostridge

Saturday, october 12 2019, 8:30pm | Main stage, Teatro Massimo

Tenor Ian Bostridge 
Piano Julius Drake

 

 

Programme

Programme

Franz Schubert
Winterreise

Info

Waltraud Meier

Thursday, december 5 2019, 8:30pm | Main stage, Teatro Massimo

Mezzosoprano Waltraud Meier
Piano Joseph Breinl

 

 

Programme

Programme

Gustav Mahler
Lieder su testi da Das Knaben Wunderhorn:
Rheinlegendchen
Das iridsche Leben
Wo die schönen Trompeten blasen
Des Antonius von Padua Fischpredigt

Hugo Wolf
Lieder su poesie di Eduard Mörike:
In der Frühe
Denk’ es, o Seele
Wo find’ ich Trost
Das verlassene Mägdlein
Verborgenheit
Gesang Weylas

***

Richard Wagner
Wesendonck-Lieder
1.    Der Engel
2.    Stehe still!
3.    Im Treibhaus
4.    Schmerzen
5.    Träume

Arnold Schönberg
Lied der Waldtaube dai Gurre-Lieder

Info

Il Meraviglioso circo

January 24 – may 15  2019 | Main Stage, Teatro Massimo

Music by W. A. Mozart, Claude Debussy, J. S. Bach, Gioachino Rossini e Ruggero Leoncavallo

A production of Venti Lucenti
Director Manu Lalli
Scene designs  Daniele Leone
Actors Chiara Casalbuoni, Cecilia Russo, Gabriele Zini, Stefano Mascalchi

 

 

Programme

Trama

A dreamlike, lunar spectacle with rarefied and magical atmospheres. A continuous contamination between music and words, between oneiric and real. A wonderful orchestra, a wonderful choir and then singers, actors, children together for the first time to tell a magical story, the story of a fallen puppet you don’t know how, (maybe inside a moonlight) you don’t know when, (maybe last night!) in a circus of guitti and acrobats. Everything in music: a story of training that is inspired by the fairy tales of the literary tradition for children. A story about how hard and original it is for each of us to “grow up”, but also a tribute to the theatre, its beauty, its caducity and its ability to transport us into worlds that exist only behind the curtain.

N.B. the show will be staged again in October, November and December 2019.

Biglietti

Studenti: 5 €, biglietto ridotto
Gratuità: un docente accompagnatore ogni 10 studenti, studenti H e loro docenti di sostegno
Intero: 12 €, adulti (docenti e genitori) che acquistano il biglietto con la scuola.

Info

Massimo Community Lab – Signs

January 12 – 13 gennaio, 6:30pm | Sala degli Stemmi

Violoncello barocco Adriano Maria Fazio
Dancer Damiano Ottavio Bigi
Staged by
Alberto Cavallotti

Programme

Johann Sebastian Bach
Movimenti dalle Suites n.1 , 2 e 3 per violoncello solo

Giuseppe Maria dall’Abaco (1710 – 1805) 
Capriccio in Do minore

György Kurtág (n. 1926)
Nepdalfele da Signs, Games and Messages

Orazio Sciortino (n. 1984)
Quasi una sarabanda

 

Programme

Programme

Signs: the body signs and musical signs in a close dialogue between two arts sisters. An exchange of intentions where music becomes gesture and the gesture becomes breath. A gesture to listen to, a sound to see. The solo cello music program that provides the starting point for this intense dialogue ranges from the eighteenth century to contemporary music: some movements from the first three Suites for solo cello by Johann Sebastian Bach 1685-1750), the Capriccio in C minor by Giuseppe Maria Dall’Abaco (1710-1805), Nepdalfele da Signs, Games and Messages by György Kurtág (no. 1926) and Quasi una sarabanda by Orazio Sciortino, pianist and composer from Syracuse born in 1984.

Info

Massimo Community Lab – Il duello alcomico

March 15 – 26 2019 | Sala Onu 

Adapted from Giovanni Paisiello’s Il duello comico

Original music and musical adaptations of Alberto Maniaci
Dramaturgy and texts by Alberto Cavallotti

Conductor Alberto Maniaci  
Director Alberto Cavallotti
Scene designs Roberto Lo Sciuto

Teatro Massimo Orchestra
with Conservatorio Scarlatti di Palermo

Programme

Programme

We are in the new restaurant that Totò, a chef who made a career in Paris, has recently opened in Palermo and is the new attraction of the city’s nightlife. It is precisely from “Chez Totò” that Tancredi, a young son of the well-known Palermo, accompanies Solange, called Chérie, a young Parisian fashion designer who has moved to the city and whom he is in love with. Once at the restaurant, they are welcomed by Toto who is an old friend of Tancredi but also of Calogero, another suitor of Chérie who comes too for a drink. Then begins a tangle of funny situations, misunderstandings and gags managed by Totò, his two waiters Simone and Rosalia and Cettina, girlfriend abandoned by Caologero. A game of couples in which Toto, a bit’ istrione and a little’ Deus ex machina, disfa e riannoda nuovi amori e vecchie amicizie.

Tickets
Full 10 euro
Low price 4 euro

Info

Massimo Community Lab – In side out

April 4 – 19  2019 | Sala degli Stemmi

A sensory journey dedicated to the sound of the body

Music by Mario Bajardi
Coreography Giovanna Velardi
Teatro Massimo Ballet

Teatro Massimo production

Programme

Programme

The dancers propose a collaborative experience: after an initial stage as spectators, students are involved in the movement and called to listen and share their perceptions. A performance that comes from the research on the sounds of the body still and in motion, starting from what we perceive as silence. The absence of sound is never true absence: the body is sound. The bones, organs, fluids of the body have a sound. Perceiving the inner sound puts us in contact with the vibrations and sound waves of the body that are projected outside, transformed, reshaped and active. the body moves and meets the air, generating forms and dynamics related to acceleration, deceleration, suspension, fall, resistance, tension and release. The space, with which the body meets and clashes, generates frequencies and intensity. And what happens when internal frequencies, generated by the body, interact with external frequencies generated from other sources? A dialogue is born that interferes with our emotional states, because the receptors through nerve circuits have the power to generate emotions.

Tickets 
Students: 4 € biglietto ridotto
Free: one teacher for 15 students, students H and their support teachers
Full Price: 10 €