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Nicola Alaimo

Info

Nicola Alaimo

Friday, march 1 2019, 8:30 pm | Main stage, Teatro Massimo

Baritone Nicola Alaimo   
Piano Giuseppe Cinà

 

 

Programme

Programme

Gioacchino Rossini
“Largo al factotum” from Il barbiere di Siviglia

Giacomo Puccini
“Era uguale la voce?” from Gianni Schicchi

Francesco Cilea
“Ecco il monologo” from Adriana Lecouvreur

Gaetano Donizetti
“Decio, Signor del mondo… Di tua beltade immagine” from Poliuto

Giuseppe Verdi
“L’onore! Ladri!” from Falstaff
“Toh! Toh! Poffare il mondo” from La forza del destino

Cramer
Choix de mélodies sur Rigoletto, for piano

Giuseppe Verdi
“Cortigiani vil razza dannata” da Rigoletto
Romanza for piano
Valzer for piano

Umberto Giordano
“Nemico della patria” from Andrea Chénier

***

Francesco Paolo Tosti
Sogno
Malia
L’alba separa dalla luce l’ombra

Ernesto De Curtis
Ti voglio tanto bene

Stanislao Gastaldon
Musica proibita

Libero Bovio
Passione

Ernesto De Curtis
Non ti scordar di me

Gaetano Emanuel Calì
E vui durmiti ancora

Info

Ian Bostridge

Saturday, october 12 2019, 8:30pm | Main stage, Teatro Massimo

Tenor Ian Bostridge 
Piano Julius Drake

 

 

Programme

Programme

Franz Schubert
Winterreise

Info

Waltraud Meier

Thursday, december 5 2019, 8:30pm | Main stage, Teatro Massimo

Mezzosoprano Waltraud Meier
Piano Joseph Breinl

 

 

Programme

Programme

Gustav Mahler
Lieder su testi da Das Knaben Wunderhorn:
Rheinlegendchen
Das iridsche Leben
Wo die schönen Trompeten blasen
Des Antonius von Padua Fischpredigt

Hugo Wolf
Lieder su poesie di Eduard Mörike:
In der Frühe
Denk’ es, o Seele
Wo find’ ich Trost
Das verlassene Mägdlein
Verborgenheit
Gesang Weylas

***

Richard Wagner
Wesendonck-Lieder
1.    Der Engel
2.    Stehe still!
3.    Im Treibhaus
4.    Schmerzen
5.    Träume

Arnold Schönberg
Lied der Waldtaube dai Gurre-Lieder

Info

Il Meraviglioso circo

January 24 – may 15  2019 | Main Stage, Teatro Massimo

Music by W. A. Mozart, Claude Debussy, J. S. Bach, Gioachino Rossini e Ruggero Leoncavallo

A production of Venti Lucenti
Director Manu Lalli
Scene designs  Daniele Leone
Actors Chiara Casalbuoni, Cecilia Russo, Gabriele Zini, Stefano Mascalchi

 

 

Programme

Trama

A dreamlike, lunar spectacle with rarefied and magical atmospheres. A continuous contamination between music and words, between oneiric and real. A wonderful orchestra, a wonderful choir and then singers, actors, children together for the first time to tell a magical story, the story of a fallen puppet you don’t know how, (maybe inside a moonlight) you don’t know when, (maybe last night!) in a circus of guitti and acrobats. Everything in music: a story of training that is inspired by the fairy tales of the literary tradition for children. A story about how hard and original it is for each of us to “grow up”, but also a tribute to the theatre, its beauty, its caducity and its ability to transport us into worlds that exist only behind the curtain.

N.B. the show will be staged again in October, November and December 2019.

Biglietti

Studenti: 5 €, biglietto ridotto
Gratuità: un docente accompagnatore ogni 10 studenti, studenti H e loro docenti di sostegno
Intero: 12 €, adulti (docenti e genitori) che acquistano il biglietto con la scuola.

Info

Massimo Community Lab – Signs

January 12 – 13 gennaio, 6:30pm | Sala degli Stemmi

Violoncello barocco Adriano Maria Fazio
Dancer Damiano Ottavio Bigi
Staged by
Alberto Cavallotti

Programme

Johann Sebastian Bach
Movimenti dalle Suites n.1 , 2 e 3 per violoncello solo

Giuseppe Maria dall’Abaco (1710 – 1805) 
Capriccio in Do minore

György Kurtág (n. 1926)
Nepdalfele da Signs, Games and Messages

Orazio Sciortino (n. 1984)
Quasi una sarabanda

 

Programme

Programme

Signs: the body signs and musical signs in a close dialogue between two arts sisters. An exchange of intentions where music becomes gesture and the gesture becomes breath. A gesture to listen to, a sound to see. The solo cello music program that provides the starting point for this intense dialogue ranges from the eighteenth century to contemporary music: some movements from the first three Suites for solo cello by Johann Sebastian Bach 1685-1750), the Capriccio in C minor by Giuseppe Maria Dall’Abaco (1710-1805), Nepdalfele da Signs, Games and Messages by György Kurtág (no. 1926) and Quasi una sarabanda by Orazio Sciortino, pianist and composer from Syracuse born in 1984.

Info

Massimo Community Lab – Il duello alcomico

March 15 – 26 2019 | Sala Onu 

Adapted from Giovanni Paisiello’s Il duello comico

Original music and musical adaptations of Alberto Maniaci
Dramaturgy and texts by Alberto Cavallotti

Conductor Alberto Maniaci  
Director Alberto Cavallotti
Scene designs Roberto Lo Sciuto

Teatro Massimo Orchestra
with Conservatorio Scarlatti di Palermo

Programme

Programme

We are in the new restaurant that Totò, a chef who made a career in Paris, has recently opened in Palermo and is the new attraction of the city’s nightlife. It is precisely from “Chez Totò” that Tancredi, a young son of the well-known Palermo, accompanies Solange, called Chérie, a young Parisian fashion designer who has moved to the city and whom he is in love with. Once at the restaurant, they are welcomed by Toto who is an old friend of Tancredi but also of Calogero, another suitor of Chérie who comes too for a drink. Then begins a tangle of funny situations, misunderstandings and gags managed by Totò, his two waiters Simone and Rosalia and Cettina, girlfriend abandoned by Caologero. A game of couples in which Toto, a bit’ istrione and a little’ Deus ex machina, disfa e riannoda nuovi amori e vecchie amicizie.

Tickets
Full 10 euro
Low price 4 euro

Info

Massimo Community Lab – In side out

April 4 – 19  2019 | Sala degli Stemmi

A sensory journey dedicated to the sound of the body

Music by Mario Bajardi
Coreography Giovanna Velardi
Teatro Massimo Ballet

Teatro Massimo production

Programme

Programme

The dancers propose a collaborative experience: after an initial stage as spectators, students are involved in the movement and called to listen and share their perceptions. A performance that comes from the research on the sounds of the body still and in motion, starting from what we perceive as silence. The absence of sound is never true absence: the body is sound. The bones, organs, fluids of the body have a sound. Perceiving the inner sound puts us in contact with the vibrations and sound waves of the body that are projected outside, transformed, reshaped and active. the body moves and meets the air, generating forms and dynamics related to acceleration, deceleration, suspension, fall, resistance, tension and release. The space, with which the body meets and clashes, generates frequencies and intensity. And what happens when internal frequencies, generated by the body, interact with external frequencies generated from other sources? A dialogue is born that interferes with our emotional states, because the receptors through nerve circuits have the power to generate emotions.

Tickets 
Students: 4 € biglietto ridotto
Free: one teacher for 15 students, students H and their support teachers
Full Price: 10 €

Programme

Massimo Community Lab – La casa della musica

January 28 – march 4  2019 | Sala degli Stemmi

Guided tour with creative workshop for kindergarten

The guided tour for children is a time of learning and cultural growth: a playful and educational moment aimed at promoting in pupils a greater knowledge of the Theatre as an asset of historical and artistic interest and also as a place to promote culture. The objective is to introduce the Teatro Massimo to children of pre-school schools through an animated path, which brings together the history of the theater, with the description of its most representative spaces, and a fantastic narrative that guides them through the halls accompanied by the characters of the works. The story of the works and listening to some fragments of famous arias in a path of approach to the opera and its most important city monument.
Accompanied by an expert on childhood and a singer, the children will complete their journey by experimenting in a manual workshop, led by an artist specialized in working with children, through the use of artistic techniques and recycling materials.

Info

Info

The activity is designed for groups of minimum 25 children and maximum 50.

Duration: the visit, including laboratory, will last one hour and thirty minutes. On the same day two visits will be made, the first visit from 9:30 to 11:00; the second from 11:15 to 12:45. Each shift is divided into 2 groups of 25 children each, who will alternate between the guided tour (45 minutes) and the creative workshop (45 minutes).

Biglietti

8 € (guided tour + laboratory), free ticket for one teacher every 15 students, students H and their support teachers

Info

Massimo Community Lab – Bastiano e Bastiana

January 28 – March 4  2019 | Sala degli Stemmi

Music by Wolfgang Amadeus Mozart

Conductor Federico Amendola
Director Angelica Dettori
Scene designs Andrea Fiduccia

Mozart is a young boy of only 12 years when he composes the operetta in one act Bastiano and Bastiana. The theatrical form is that of singspiel comedy, the story is told by alternating singing to the parts recited. The theme is the love between two young people, put in crisis by his desire to escape; the text used by Mozart was born as a parody of Rousseau’s Clairvoyant of the village. In an agreste context of innocent pastoral life, the young Bastiana fears that her beloved may betray her. That’s why he turns to the magician Colas for good advice. Will he get it? Come to the theatre and find out!

Tickets

Students: 4 € reduced ticket
Free: one teacher for 15 students, H-students and their support teachers
Intero: 10 € adults

Cast

Cast

Bastiana Federica Guida (30, 4, 8, 12); Chiara Fiorani (2, 5, 9); Laura Macrì (3, 7, 11)

Bastiano Andrea Schifaudo (30, 4, 7, 9, 12); Gianmarco Randazzo (2, 3, 5, 8, 11)

Colas
Tommaso Barea (30, 4, 7, 9, 12); Claudio Levantino (2, 3, 5, 8, 11)

Ph Franco Lannino