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Anna

Info

30 September and 1 October 2023 |Main Stage, Teatro Massimo

A Contemporary Ballet
New Creation for the Teatro Massimo Ballet

Coreographer Vincenzo Veneruso
Music and Conductor
Paolo Buonvino
Scene Designs Chiara Pisani
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Teatro Massimo Ballet and Orchestra
Videomaking Gery Palazzotto with Antonio Di Giovanni e Davide Vallone

Cast

Anna Francesca Bellone
Luca Michele Morelli
Il fratello di Anna Alessandro Cascioli
Dowload the Full Cast

Synopsis

Programme

Music

From the soundtracks for L’ultimo bacio, N (Io e Napoleone), A casa tutti bene (seconda stagione), I Viceré, Padre Pio, I Medici, Caos calmo

Poster

About

From 13 to 18 June 2023 |Main Stage, Teatro Massimo

A neoclassic ballet
New creation for the Teatro Massimo Ballet
Pre-recorded music by 
Georges Bizet
in Rodion Scedrin‘s version

Coreographer Leo Mujić
Scene Designs Mislav Kuzmanic
Lighting Designs Aleksandar Čavlek
Assistant Coreographer and dramaturgy Bálint Csaba Rausher

A production of the Teatro Massimo
Costumes by ODD MERY GI (Stara Zagora, Bulgaria) designed by Lars Ayen

 

 

 

Cast

Carmen Marta Petkova (13, 15, 17) / Giorgia Leonardi (14, 16, 18)
Don José Nikola Hadjitanev (13, 15, 17) / Michele Morelli (14, 16, 18)
Escamillo Michele Morelli (13, 15, 17) / Diego Mulone (14, 16, 18)
Micaëla Yuriko Nishihara (13, 15, 17)  / Chiara Sgnaolin (14, 16, 18)
Fernanda Giorgia Leonardi (13, 15, 17) / Francesca Bellone (14, 16, 18)
Zuniga Andrea Mocciardini (13, 15, 17) / Vincenzo Carpino (14, 16, 18)
Mercedes Alessandro Cascioli
La madre Simona Filippone (13, 16) / Giada Scimemi (14, 18) / Noemi Ferrante (15, 17)

Teatro Massimo Ballet
Ballet Director Jean-Sébastien Colau

Programme

Running time

1 hour (no interval)

Synopsis

A square in Sevilla, soldiers are whiling away the time in front of their guardhouse, with their captain Zuniga who is very well known among the ladies. In a change of guards, Don José is about to take Zuniga’s place. The women from the factory pour into the square, eagerly watched by the men. Carmen enters and immediately recognizes José as a newcomer who, on the other hand, shows no notice of her at first, but her affection is burned into his memory.
Micaela who is longing for Don Josè’s love is bringing a letter from his mother in which she expresses her wishes that Micaela becomes his wife.
Carmen is lazy to work her shift and an argument between her and Fernanda breaks out in the factory. Attracted by the noise, the crowd storms inside. Carmen has injured Fernanda, who accuses her to José and he escorts Carmen to custody.
Carmen seduces Don José and promising to spend the night with him, persuades him to let her go. Don José remains torn between desire and his sense of duty. Her best friend Mercedes helps her escape. When Zuniga finds out that José failed to fulfill his duty, he discharges him, and goes after Carmen.
Having escaped custody, Carmen and her friends are celebrating the arrival of the re- nowned torero Escamillo who is immediately attracted to Carmen, and vice versa. After spending a night with Escamillo, Zuniga finds Carmen alone. He attacks her and tries to rape her, but José comes to save her and shoots Zuniga.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.
Micaela visits José in prison bringing him the sad news that his mother has passed away. In his sadness he tells Micaela to marry another and sends her away. Daydream- ing his prison time away, José is imagining a perfect version of his Carmen.
A square in Seville outside the arena, shortly before the bullfight. Escamillo enters with his large entourage and Carmen at his side. Don José is out of prison and looking for her, hiding in the crowd. All enter the arena, Carmen remains behind with José.
She refuses to go back to him, she wants to keep her freedom and not be bound to obey anybody. José’s jealousy drives him crazy and he stabs Carmen as Escamillo‘s victory is being celebrated in the arena. He collapses over her body in despair.

About

From 19 to 25 May 2023 |Main Stage, Teatro Massimo

Music Pëtr Il’ič Čajkovskij
Conductor Omer Meir Wellber
Director Julien Chavaz
Associate Director Annemiek van Elst
Scene Designs Amber Vandenhoeck
Costume Designs Sanne Oostervink
Lighting Design Eloi Gianini
Assistant Director Fleur Snow
Costume Designs Assistant Maartje Prins, Nadine Hempel
Russian Coach Stanislav Chernyshov

A production Theater Magdeburg / Opéra de Lorraine

 

Cast

Larina Helene Schneiderman
Tat’jana Carmen Giannattasio (19, 21, 23, 25) / Natalia Tanasii (20, 24)
Olga Victoria Karkacheva
Filipp’evna Margarita Nekrasova
Evgenij Onegin Artur Rucinski (19, 21, 23, 25) / Nikolai Zemlianskikh (20, 24)
Vladimir Lenskij Saimir Pirgu (19, 21, 23, 25) / Pavel Petrov (20, 24)
Principe Gremin Giorgi Manoshvili
Monsieur Triquet/Un contadino James Kryshak
Zareckij/Un capitano Andrii Ganchuk
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

More info

Biglietti in vendita dal

2 aprile 2023

Running Time

Three hours and 10 minutes with two 15 minutes intermissions

About

From19 to 21, 23,24 and 26 September 2023 |Main Stage, Teatro Massimo

Opera in three acts
by 
Christoph Willibald Gluck
Conductor Gabriele Ferro
Director and Coreographer Danilo Rubeca
Scene Designs Domenico Franchi
Costume Designs Alessio Rosati
Lighting Designs Marco Giusti
Assistant Director & Coreographer Emanuele Burrafato
Assistant Scene Designs Francesca Nieddu
Assistant Costume Designs Rosa Mariotti
New production

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Cast

Orfeo Filippo Mineccia
Euridice Federica Guida
Amore Nofar Yacobi

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau

Running time: 1 hour and 40 minutes without interval

The Premiere (Sept 19) will be available in free livestreaming on the Teatro Massimo WebTV

Listening Guides (in Italian)

• Thursday September 14, 6pm in Sala Onu, Invito all’ascolto by the Friends of del Teatro Massimo with Lorenzo Mattei
• Tuesday September 19,
6:30pm in Sala Onu, Vi racconto l’opera with Beatrice Monroy, Sabrina Petyx e Gigi Borruso

 

Synopsis

Act I

A chorus of nymphs and shepherds sings a mourning hymn around the tomb of Eurydice (“Ah, se intorno a quest’urna funesta”). Orpheus asks them to leave him alone, and express his grief for the death of his wife, his rage against the cruel gods, and his determination to bring Eurydice back to life (“Chiamo il mio ben così”). Cupid appears and tells Orpheus that Jove allows him to descend to the underworld to try to reclaim his wife. Orpheus must appease the Furies with his music and bring Eurydice back to the upper world without never looking at her or explaining his behaviour, otherwise he will lose her for ever (“Gli sguardi trattieni”). Orpheus heads to Hades with his lyre as only weapon.

Act II

The gates of Hades are guarded by Furies and demons, who threatens Orpheus with their dance (“Chi mai dell’Erebo fra le caligini”). Orpheus plays his lyre and sings his despair (“Deh, placatevi con me”). The Furies at first refuse to let him move on into the Elysian Fields. Then they are gradually touched by his laments and moved by his singing, and they let him pass the entrance of the underworld. The scene is now in the Elysian Fields. Orpheus arrives, seeking his beloved wife (“Che puro ciel”). The Blessed Spirits restore Eurydice, veiled, to Orpheus, and he hurries to lead her away, without looking at her.

Act III

Orpheus and Eurydice are on their road to the upper world. Eurydice, who doesn’t know of the gods injunction, is suspicious, and asks him to explain his behaviour or at least to look at her (“Vieni, appaga il tuo consorte”). Orpheus tries to keep his face turned away and to bring her to the upper world, but when she faints, he is forced to to infringe the gods’ will. As soon as their eyes meet, Eurydice dies again with a last farewell. Orpheus is desperate and about to kill himself (“Che farò senza Euridice”). Cupid appears and announces that Orpheus’ love and faith have moved again the gods. Eurydice is restored to life, and they will enjoy a new life of pleasures and love on earth (“Divo Amor, son tue pene”). Nymphs and shepherds celebrate with dances the power of Cupid (“Trionfi Amore”).

The Poster

Info

June 21 2025, 10.30 | Teatro Massimo Staircase

Festa della musica

Direttore Vincenzo Alioto
Marching Band of K&Y Orchestra

Running time: 40 minutes 

Free admission subject to availability

This concert is included in the training and artistic growth of the Youth Ensembles of the Teatro Massimo

programme

The Marching Band of K&Y Orchestra

perform on the Teatro Massimo staircase

Info

Loving Ella

Monday, september 23  2019,  8:30 pm |Main stage, Teatro Massimo 

Omaggio a Ella Fitzgerald
Conductor Domenico Riina
Voce Simona Molinari
Orchestra Jazz Siciliana
In collaborazione con The Brass Group

Programme

Programme

Gerald Marks – Seymour Simons
All Of Me
A-Tisket A-Tasket (arr. J. Stephens – T. Gad)

Richard Rodgers – Lorenz Hart
Bewitched

Duke Ellington  – Johnny Mercer – Billy Strayhorn
Satin Doll

George Gershwin – Ira Gershwin
But Not For Me
Summertime da Porgy and Bess
The Man I Love 

Kurt Weill – Bertolt Brecht
Mack The Knife

Henry Mancini – Johnny Mercer
Moon River

Don Scamber
Blues Right Down To The Shues

Simona Molinari
Egocentrica
Amore a prima vista

Lelio Luttazzi
Dr Jekyll

Simona Molinari – Carlo Avarello – Maurizio Vultaggio – Peter Cincotti
La felicità

Eros Sciorilli – Giancarlo Testoni
In cerca di te

Info

July 16 2025, 19pm | Sala degli Stemmi, Teatro Massimo

Piano Young

Piano Recital

Piano Antonio Magrì – Giuseppe Cinà – Giuseppe Consiglio

Running time: 1 hour and 15 minutes

This concert is included in the training and artistic growth of the Youth Ensembles of the Teatro Massimo

Tickets
Bookings open on Tuesday, June 3
Full price: 10 euros / Concession: 8 euros
[Ticket fares and info]

Programme

Music by

Mozart, Liszt, Chopin, Schumann

Info

July 9 2025, 21pm | Main Stage

Youth Chorus and Cantoria

Chorus Masters Salvatore Punturo and Giuseppe Ricotta
Teatro Massimo Youth Chorus and Cantoria

Running time: 1 hour 

This concert is included in the training and artistic growth of the Youth Ensembles of the Teatro Massimo

Tickets
Bookings open on Tuesday, June 3
Price range: 5 – 20 euros
[Ticket fares and info]

Programme

Music by

Nogara, Ricotta, Fauré

Info

June 8 2025, 21pm | Sala Stemmi, Teatro Massimo

Piano Young

Piano Recital

Piano  Leonardo Massa – Enrico Gargano

Running time: 1 hour and 15 minutes

This concert is included in the training and artistic growth of the Youth Ensembles of the Teatro Massimo

Tickets

Bookings open on Tuesday, June 3
Full price: 10 euros / Concession: 8 euros
[Ticket fares and info]

Programme

Piano

Leonardo Massa

Domenico Scarlatti
Sonata in B minor K 27, L 449

Wolfgang Amadeus Mozart
Twelve variations in C major on “Ah, vous dirai-je Maman” K 265

Robert Schumann
Arabeske in C major op. 18

Fryderyk Chopin
Ballad No. 3 in A flat major op. 47

 

Piano

Enrico Gargano

Ludwig van Beethoven
Allegro con brio from the Piano Sonata n. 3 in C major op. 2

Felix Mendelssohn
Variations seriuses op. 54

Fryderyk Chopin
Ballad n. 1 in G minor op. 23
Studies op. 10 n. 1, 4 and 12