Orario
20 gennaio 2023
ore 19:50 sulla WebTV del Teatro
About
This event is in Italian.
Tickets (3 euros) available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
Programme
Beatrice Monroy
presents Mitridate Eupatore by Alessandro Scarlatti with Gigi Borruso and Stefania Blandeburgo
About
Tuesday November 18 2025, 6pm
Anna Giust presents the diptych Aleko/Pagliacci, opening of the 2025/26 Season.
This event is in Italian.
Free entrance
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
The presentations are organized by the Associazione Amici del Teatro Massimo.
The speaker
Anna Giust
teaches Russian language and literature at the University of Verona. In the field of music, she conducts research on the Russian opera repertoire as a vehicle for interpreting the cultural history of that country in relation to the evolution of European culture. At the same time, she is interested in the musical relations between Europe and Russia, in particular the phenomenon of the reception of Italian and French opera, and the mobility of artists to and from Russia. She is the author of several articles on Russian musical theatre from the 18th to the 21st century, and of three monographs: Ivan Susanin by Catterino Cavos, Un’opera russa prima dell’Opera russa (EDT-De Sono Tesi, Turin 2011), Cercando l’opera russa, La formazione di una coscienza nazionale nel teatro musicale del Settecento (Feltrinelli-Amici della Scala, Milan 2014), and La forza dell’amore, dell’odio e del destino: Verdi e l’opera italiana in Russia (Istituto Nazionale di Studi Verdiani, Parma 2024). He also edited the critical edition of the opera Ivan Susanin by Catterino Cavos and Aleksandr Šachovskoj (SEdM, Rome 2024).
The poster
Info
Tuesday October 20 2026, 6 pm, Sala Onu
Talking about Opera – Rigoletto
This event is in Italian.
The art of storytelling is made up of intertwined threads that open up the enchantment of listening.
Beatrice Monroy tells us the story of the opera Rigoletto with Giuseppe Cutino and Stefania Blandeburgo.
Tickets (3 euros) are available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona). An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
About
The project
Beatrice Monroy – with readings by Stefania Blandeburgo, Gigi Borruso, Rinaldo Clementi, Giuseppe Cutino, Consuelo Lupo, and Sabrina Petyx – recounts the plots of the Operas staged at the Teatro Massimo to the audience, as well as the historical and cultural references on which the librettists based their work.
Our aim is to bring to the audience the extraordinary stories that inspired the Masters to compose their masterpieces.
About
Wednesday, September 9 2026, 6pm – Sala ONU
This event is in Italian.
Free entrance
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
The presentations are organized by Associazione Amici del Teatro Massimo.
Programme
Graziella Seminara
presents Cavalleria Rusticana by Pietro Mascagni
About
20, 27 aprile 2026 | Sala degli Stemmi, Teatro Massimo
da 6 a 10 anni
NarrazioneDanza
Un laboratorio di storia della danza per scoprire insieme il Don Quichotte
a cura di Marta Cataliotti
Biglietti
8 euro (laboratorio e visita guidata del Teatro)
Durata
Il laboratorio ha una durata di 1 ora, la visita guidata di 30 minuti.
Il laboratorio
Presentazione
La Fondazione Teatro Massimo e la Fondazione Gaetano Costa propongono un percorso di introduzione all’arte per bambini di scuola primaria che prevede la visita del Teatro e la partecipazione ad un laboratorio guidato da Marta Cataliotti, ideatrice del progetto narrativo ispirato alla storia della danza e del balletto.
Il titolo di balletto che verrà proposto ai bambini durante il laboratorio è Don Chisciotte (spettacolo incluso nella stagione 2026 del Teatro Massimo, andato in scena dal 29 marzo al 4 aprile).
La storia proposta verrà quindi riletta dallo sguardo fantasioso dei bambini che si introdurranno così nella metaforica “linea del tempo” trovando il loro spazio.
About
inspired by Richard Wagner‘s Tristan und Isolde
Written and directed by Manu Lalli
Assistant Director Chiara Casalbuoni
Original music, arrangements and transcriptions Simone Piraino
Conductor Michele De Luca (April 16, 17, 19) / Daniele Malinverno (April 18, 20)
Voce dal mare Natasa Kátai (April 16, 17, 19) / Maria Cristina Napoli (April 18, 20)
Narrators Pietro Massaro and Oriana Martucci
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
with pupils and teachers of the schools IC Rita Atria and IC Guglielmo Marconi
For audiences aged 6 to 12 | School reservations open on January 10th
Tickets
Students 5 €
Full price 12 €
Reduced price 10 €
For more information
Programme
The plot
The legend of Tristan and Isolde, one of the most romantic stories of the Middle Ages, is very old: it tells the adventures of a knight and a princess who fall in love thanks to a magic elixir. Wagner composed the opera based on Goffredo di Strasburgo’s text and staged it in 1865. It is still considered one of the masterpieces of all time. The version that will be performed, while maintaining the essential dramaturgical and musical lines intact, is adapted in such a way as to exalt the magical and symbolic fairy-tale aspects of the story, which has at its centre important themes linked to the imaginary and ideal horizon of the world of chivalry, such as the search for love, the relationship between public morality and private morality, sin and fidelity.
Gallery
Spoken parts of the performance are in Italian; a basic understanding of the language is adviced.
Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.
The performance on Saturday April 20 is open to everyone.