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About

5 – 17 November 2024 
| Sala Onu

from 10 to 16 years old | Reservations from September 24, 2024

Libretto by Tommaso Mariani
Music by Giovanni Battista Martini
First performance in Palermo

Conductor and harpsichord Luca Quintavalle
Direction Lollo Franco
Dramaturgy Lollo Franco and Nicola Franco
Set design and costumes Emilia Gagliardotto
Lighting Designs Antonio Giunta

Don Quixote Simone Fenotti / Samuele Di Leo
Nerina Michela Guarrera / Marta Di Stefano
Sancho Panza Nicola Franco
Cervantes Lollo Franco

Teatro Massimo Orchestra
New production of the Teatro Massimo

Tickets

Full price: 10 €
Concession price: 8 €
Students:
4 €
For further information

Programme

The plot

In 1600s Spain, a man fascinated by epic tales of chivalry and scornful of danger, imagines himself to be the knight Don Quixote committed, along with his squire Sancho Panza, to protect the people from injustice… starting from this incipit, author Miguel de Cervantes (played by Lollo Franco) will tell a new adventure of his characters, to the music of the 1746 intermezzo by Giovanni Battista Martini.

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced. 

Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.
Saturday and Sunday performances are open to all.

About

2 – 14 December 2025 | Sala ONU, Teatro Massimo

Il 66
Il biglietto vincente

by Jacques Offenbach

from 8 to 15 years old | School Group Bookings open on October 22, 2025

Libretto Auguste Pittaud de Forges and Laurencin
Conductor and orchestrator Alberto Maniaci
Director, translation into Italian and adaptation of dialogues Salvatore Cannova
Rhythmic translation Paolo V. Montanari and Salvatore Cannova
Scene Designs Roberto Tusa
Costume Designs Giusy Di Trapani
Assistant Director Elena Snidero
Lighting Designs Vincenzo Traina

Frantz Samuele Di Leo (2, 4, 7, 9, 11, 13) / Alfonso Zambuto (3, 5, 6, 10, 12, 14)
Grittly Fabiola Galati (2, 4, 6, 9, 11, 13) / Federica Foresta (3, 5, 7, 10, 12, 14)
Berthold Nicola Ciancio (2, 4, 6, 9, 11, 13) / Giovanni Palminteri (3, 5, 7, 10, 12, 14)

Tickets

Full price: 10 €
Students:
4 €
Free entrance for 1 teacher every 10 students, students with disabilities and their support teachers

Cast & Plot

Cast

Frantz Samuele Di Leo (2, 4, 6, 9, 11, 13) / Alfonso Zambuto (3, 5, 7, 10, 12, 14)
Grittly Fabiola Galati (2, 4, 6, 9, 11, 13) / Federica Foresta (3, 5, 7, 10, 12, 14)
Berthold Giovanni Palminteri (2, 4, 6, 9, 11, 13) / Nicola Ciancio (3, 5, 7, 10, 12, 14)

The plot

Frantz and Grittly are two young Tyroleans on their way to Strasbourg in search of a better life. Their encounter with the merchant Bertoldo sweeps them up in a whirlwind of misunderstandings, promises, and lies: everything revolves around a lottery ticket, a symbol of easy (and deceptive) fortune. Amid laughter and twists and turns, the show invites us to reflect on how fragile dreams of wealth are and how solid human bonds and the truth of feelings are.

Spoken and sung parts of the performance are in Italian; a basic understanding of the language is adviced. 

Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

Sat and Sun performances are open to everyone.

Find out more about our Educational project for school groups.

WebTV

WATCH THE OPERA PREMIERE

Evgenij Onegin

On Monday May 19 on the Teatro Massimo WebTv

FREE LIVE STREAMING

Orario

May 19 2023

at 7:50pm on the Teatro Massimo WebTV

About

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

 

 

 

 

Programme

Carlo Fiore

presentsI Capuleti e I Montecchi by Vincenzo Bellini.

Event Info

Invitation to Listening for Quattro canti per Santa Rosalia

This conference is in Italian.

Free entrance

Saint Rosalia is the patron saint of Palermo and has been worshipped over the centuries not only through religious events but also by spectacular events in baroque style, in which music often played a leading role.

“4 Canti per Santa Rosalia” opens the 2024 Summer events of the Teatro Massimo, making a link with these events thanks to new music, commissioned to four composers. Together with the creators of the show and experts in the history of music in Palermo in the seventeenth and eighteenth centuries we will take a journey through time to rediscover an ancient tradition.

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

 

Speakers

Speakers

Giuseppe Collisani, Consuelo Giglio, Ilaria Grippaudo, Fabrizio Lupo

Moderator

Anna Tedesco

About

Duomo di Monreale

Conductor Ciro Visco
Soprano Federica Guida
Teatro Massimo Orchestra and Chorus

Concept and Broadcasting co-ordinator Gery Palazzotto
Television Producer Antonio Di Giovanni

Programme

Anonimo

Adeste Fideles
Gli angeli delle campagne

Franz Xaver Gruber

Stille Nacht

Cesar Franck

Panis angelicus

Johann Sebastian Bach

Jesus bleibet meine Freude

Giulio Caccini

Ave Maria

Wolfgang Amadeus Mozart

Ave Verum Corpus
Laudate Dominum

Irving Berlin

White Christmas

Carmine Giordano

Dormi, benigne Jesu

Georg Friedrich Händel

Hallelujah da Messiah

Raffaele Cimmaruta

Ave Maria

Photo © Franco Lannino

About

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

Programme

Vincenzo Borghetti

presents Le Grand Macabre by György Ligeti.

About

19 January 2025, 11 a.m. | Sala Onu

Clarinet Quartet of the Massimo Youth Orchestra
Clarinets Antonio Nogara, Antonio Santoro, Giuseppe Ossino
Bass Clarinet Pietro Vega

Concert included in the training and artistic growth of the Youth Ensembles of the Teatro Massimo Foundation

Full price: 10€ / Concession: 8

 

Biglietti

Salvatore Nogara

Kids Tango

Michele Mangani

Rossinimania

Giacomo Puccini

“Un bel dì vedremo” da Madama Butterfly

Giacomo Puccini

“O mio babbino caro” da Gianni Schicchi

Jacob de Haan

Ross Roy

Carlos Gardel

Por una cabeza

Georges Bizet

Carmen Suite

Leonard Bernstein

“America” da West Side Story

Ennio Morricone

Nuovo Cinema Paradiso (SE)

About

The historic Magazine published by La Biennale di Venezia, brought back to life after 53 years of silence

A greeting from Marco Betta
General Manager of the Teatro Massimo

Presentation by Debora Rossi
Manager of the Historical Archive of the Biennale

Pietrangelo Buttafuoco
President of the Venice Biennale

Free entrance
Recommended booking by writing to info.asac@labiennale.org

Access to the Hall of Coats of Arms will be through the main entrance (Piazza Verdi).
The Hall can also be reached via the accessible path without steps with elevator (upon arrival in the Theatre contact the staff for more information).

The Magazine

Presentation

Reborn after 53 years since its last publication, the Journal is part of the activities of the Historical Archive of the Biennale. Conceived and produced exclusively in print, the Magazine features a significant iconographic apparatus that draws largely from the Historical Archive of La Biennale and from national and international photographic research. Published quarterly, each issue will be monographic in focus, establishing a dialogue between the disciplines that distinguish La Biennale di Venezia – visual arts, architecture, dance, music, theatre, cinema – while also venturing into the realms of science and literature. .
Interventions, testimonies, interviews, dialogues and unpublished and exclusive contributions are signed by artists, scholars and important figures of the cultural panorama and civil society, both Italian and international. Multiplicity of languages and freedom of expression characterize the Magazine, which gives ample space to graphic experimentation and contamination between different forms and codes.