About
SOLD OUT
Sotto una nuova luce
Conductor Daniele Gatti
Teatro Massimo Orchestra
Live streaming on Teatro Massimo WebTV
Programme
Ludwig van Beethoven
Egmont, Ouverture op. 84
Symphony No. 1 in C major op. 21
Symphony No. 6 in F major op. 68
New Guidelines for the Audience
Upon reopening in June 2020, the Teatro Massimo has established new safety and health guidelines for the people who will access the theatre during the Covid-19 pandemic.
Please read them before purchasing your tickets.
Where to buy your tickets
Tickets on sale at at the Box-office, through the call center and online on TicketOne.it
Concessions
Young people under 26 anni, Under35 Card holders, 2020 subscribers, students of the University of Palermo, Palermo Conservatory of Music and Palermo Academy of Arts, Uncalm, groups (at least 20 people for the same date), Diamond Card holders. People with disabilities and their companions can access accessible seats in section 1 at the concession price for section 2 seats. All donors #iorinuncioalrimborso are granted the Under35 discount for the "Sotto una nuova luce" performances. If purchasing a concession priced ticket please bring proof of eligibility with you.
About
20 – 22 May, 2025 | Sala ONU, Teatro Massimo
from 6 to 36 months old | Bookings from January 27, 2025
Inspired by Falstaff by Giuseppe Verdi
Musical dramaturgy Anna Pedrazzini
Direction Beatrice Baruffini
An AsLiCo production
Tickets
Students: 4 €
Full price: 10 €
Reduced price: 8 €
For further information
Programme
The plot
A ball is a belly, a head, an animal body. For play it is constantly transformed, and in between jokes, it is even possible for it to become Falstaff! Inspired by Giuseppe Verdi’s masterpiece, this very early childhood show explores play as a universal language, transporting young spectators to an enchanted universe where anything is possible. A poetic adventure that stimulates the imagination and celebrates fantasy.
Gallery
Questo è uno spettacolo per i gruppi scolastici.
Spoken parts of the performance are in Italian; a basic understanding of the language is adviced.
Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.
About
The historic Magazine published by La Biennale di Venezia, brought back to life after 53 years of silence
A greeting from Marco Betta
General Manager of the Teatro Massimo
Presentation by Debora Rossi
Manager of the Historical Archive of the Biennale
Pietrangelo Buttafuoco
President of the Venice Biennale
Free entrance
Recommended booking by writing to info.asac@labiennale.org
Access to the Hall of Coats of Arms will be through the main entrance (Piazza Verdi).
The Hall can also be reached via the accessible path without steps with elevator (upon arrival in the Theatre contact the staff for more information).
The Magazine
Presentation
Reborn after 53 years since its last publication, the Journal is part of the activities of the Historical Archive of the Biennale. Conceived and produced exclusively in print, the Magazine features a significant iconographic apparatus that draws largely from the Historical Archive of La Biennale and from national and international photographic research. Published quarterly, each issue will be monographic in focus, establishing a dialogue between the disciplines that distinguish La Biennale di Venezia – visual arts, architecture, dance, music, theatre, cinema – while also venturing into the realms of science and literature. .
Interventions, testimonies, interviews, dialogues and unpublished and exclusive contributions are signed by artists, scholars and important figures of the cultural panorama and civil society, both Italian and international. Multiplicity of languages and freedom of expression characterize the Magazine, which gives ample space to graphic experimentation and contamination between different forms and codes.
About
Serata di danza
Passi a due dal repertorio classico/contemporaneo
“RIPAR-TÄNZE”
(Grossa Fuga ai tempi del Covid19)
Prima rappresentazione assoluta
Nuova creazione di Davide Bombana
Musiche Ludwig van Beethoven
Costumi Santi Rinciari
Luci Carlo Cerri
Voce recitante Marco Pierin
Corpo di ballo del Teatro Massimo
Assistenti alla coreografia e Maître de ballet Marco Pierin, Sabrina Vitangeli
In diretta streaming sulla WebTV del Teatro Massimo
Programme
Scena del balcone da Romeo e Giulietta
Coreografia Kenneth MacMillan
Musica Sergej Prokofiev
Interpreti Martina Arduino, Marco Agostino
Cantus da Galathea’s Myths
Coreografia Davide Bombana
Musica Arvo Pärt
Interpreti Alessandro Cascioli, Emilio Barone
Pas de deux da Caravaggio
Coreografia Mauro Bigonzetti
Musica Claudio Monteverdi e Bruno Moretti
Interpreti Nicoletta Manni, Timofej Andrijashenko
Variazione n. 25 da Goldberg Variations
Coreografia Heinz Spoerli
Musica Johann Sebastian Bach
Interpreti Martina Arduino, Marco Agostino
Info
Creative cast
Creative direction Luca Pintacuda
Artistic direction Antonino Serafino
Screenplay Fabrizio Pedone
Music and live performances Giulia Tagliavia, Giovanni Magaglio
Interaction Design Alessandro Disingrini, Albert Julius Cabri
Designers Lidia Falletta, Serena Pantaleo, Claudia Rago, John Mark Poultry, Rosaria Gallè
Tickets
Biglietti
Full price €12 + €8 guided tour
Reduced (under 26 and card under 35) €8 + €6 guided tour
Reduced price for school groups €4 + €3 guided tour
Free: one accompanying teacher for every 10 students, H students and their support teachers
It is also possible to purchase the show only (without the guided tour)
Gallery
Highlights
An experience in which the public will find itself surrounded by projections, lights, music; a one-of-a-kind show in which the stages, the ceiling and the holographic sheets become the projection surfaces on which the narrative develops. Over the centuries, the harmonies and disharmonies of nature have inspired musicians and composers who have tried to translate into music the alternation of the seasons, the noises produced by natural phenomena, by living beings, by the movements of the cosmos. “Sounds in Extinction” questions and questions the viewer on the relationship between music, art and the natural environment, and on the evolution of this relationship in relation to a world that is increasingly artificial, urban, virtual and the danger of the progressive disappearance of entire ecosystems.