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Sunday December 7 2025 | Sala ONU

Ars Sonora – Clarinet Quartet of the Massimo Youth Orchestra

Clarinets Ilde Monastero, Pietro Vega, Flavio Schembri, Alberto Salerno

Tickets

Full price: 10 €
Concession: 8 €
Students: 4 €

Programme

Programme

AragoneseG. Bizet
HabaneraG. Bizet
Hungarian Dance n° 5J. Brahms
Un bel dì, vedremo from Madama ButterflyGiacomo Puccini
O mio babbino caro from Gianni SchicchiGiacomo Puccini
Romanian Dances n° 1 – 2 – 5 – 6 – 7Béla Bartok 
Cinema ParadisoEnnio Morricone
Kids TangoSalvatore Nogara
Tico Tico Zequinha Abreu

Poster

About

We inform the audience that the concert has been canceled.
We are sorry for the inconvenience.

Saturday, March 7 and Sunday, March 8 2026 | Sala ONU

InCanto di donna

Teatro Massimo Cantoria
Chorus Master Giuseppe Ricotta

Tickets

Full price: 10 €
Concession: 8 €
Students: 4 €

Programme

Music by

Franz Schubert, Gabriel Faurè, Wolfgang Amadeus Mozart, Giacomo Puccini, Karl Jenkins, John Rutter, Leonard Choen, Giuseppe Ricotta

About

Sabato 16 e domenica 17 maggio 2026 | Foyer

Ottoni all’Opera

Evento per il 129° anniversario dell’apertura del Teatro Massimo

Ensemble Ottoni e Percussioni della Massimo Youth Orchestra
Direttore Michele De Luca

Biglietti

Intero: 10 €
Ridotto: 8 €
Studenti: 4 €

Programme

Musiche di

Wolfgang Amadeus Mozart, Gioacchino Rossini, Vincenzo Bellini, Giuseppe Verdi, Giacomo Puccini

About

December 3-14, 2024 | Sala ONU

5 to 10 years old | Reservations from October 7, 2024

Dramaturgy Silvia Ajelli
With music by Wolfgang Amadeus Mozart
Original music, arrangements and transcriptions by Simone Piraino
Conductor Michele De Luca
Scene Elements Stefano Canzoneri
Costumes Marja Hoffmann

Teatro Massimo Orchestra
A production of the Teatro Massimo di Palermo

Cast

Amadè Silvia Ajelli
Papageno/Commendatore/Figaro Giuseppe Esposito (3, 5, 10, 12, 14) / Mariano Orozco (4, 6, 7, 11, 13)
Papagena/Donna Elvira/Susanna Martina Mazzola (3, 5, 10, 11, 14) / Federica Foresta (4, 6, 7, 12, 13)

Tickets

Students 4 €
Full price 10 €
Reduced price 8 €
For more information

Programme

The plot

The show introduces the young audience to the discovery of Mozart’s life and his music through encounters with the most famous characters from his works, in a theatrical play that mixes life and theatre.

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced. 

Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

Sat performances are open to everyone.

HERE all information (in Italian) about the Educational project for schools.

Poster

Info

17 – 19 December |Main Stage

Falstaff

Burattini e burle

Based on Falstaff di Giuseppe Verdi
Music Dramaturgy Anna Pedrazzini
Dramaturgy and Direction Nadia Milani

A new production of AsLiCo
Opera kids – XVI edition

Running time: 50 minutes

For children aged 5 – 8

Tickets

Full price: 12 €
Concession:
10 €
Students:
5 €
Free entrance for 1 teacher every 10 students, students with disabilities and their support teachers

About

The plot

Falstaff is an old, light-hearted puppeteer who, short of money, devises stratagems and intrigues to survive.

His puppets and marionettes, together with the children of the audience, laugh and enjoy themselves at his clumsy tricks, then help him put things right.

We thus enter a timeless world populated by masks, puppets and marionettes, which recalls photographs of times past with the vividness of the present.

A world where everything is a joke (tutto è burla)!

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced. 

This event is part of the Educational Programme of the Teatro Massimo for School Groups.

In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

About

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

Programme

Ilaria Grippaudo

presents the ballet Cenerentola (Cinderella), choreographed to music by Sergei Prokofiev.

Info

From 15 to 20 October 2021

Auditorium

 

Vincenzo Bellini
Il pirata

Conductor Francesco Lanzillotta
Director and Scene Designs Luigi Di Gangi e Ugo Giacomazzi
Costume Designs Isabella Rizza
Lighting Designs Luigi Biondi
Scene Designs Assistant Chiara Mirabella
Costume Designs Assistant Tatiana Lerario
Chorus Master Ciro Visco
A new Teatro Massimo production

Live Streaming on the Teatro Massimo WebTv on October 15

Teatro Massimo Orchestra and Chorus

Cast

Cast

Ernesto Vittorio Prato (15, 17, 20) / Francesco Vultaggio (19)
Imogene Roberta Mantegna (15, 17, 20) / Marta Torbidoni (19)
Gualtiero Celso Albelo (15, 17, 20) / Giorgio Misseri (19)
Itulbo Motoharu Takei
Goffredo Giovanni Battista Parodi
Adele Natalia Gavrilan

New Guidelines for the Audience

Please take a few minutes to read the new safety and health guidelines linked to the Covid-19 emergency. Bear in mind that a Digital Covid Certificate (green pass) is required to access the theatre.

Where to buy your tickets

At the Box-office, online on TicketOne.it, by calling the call centre.

Using a Voucher

You can use the voucher you received for a 2020 canceled performance  to buy tickets. Please notice that vouchers issued by TicketOne and the selling points can only be used to buy online on ticketone.it. Vouchers issued by the box-office and the call center can be used at the box-office and at the call center.

Concessions

Under 26, Under35 Card holders, 2020 subscribers, #iorinuncioalrimborso donors, students of the University of Palermo, Palermo Conservatory of Music and Palermo Academy of Arts, Uncalm, groups (at least 20 people for the same date), Diamond Card holders. 6 seats are reserved for people with disabilities and their companions for each performance (at the fare of section 6) - check with the box-office for further info. 
You will be required to show your ID/certificate to get concession prices.

Photo © Rosellina Garbo

Photo © Franco Lannino

About

Serata di danza

Passi a due dal repertorio classico/contemporaneo

“RIPAR-TÄNZE”
(Grossa Fuga ai tempi del Covid19)
Prima rappresentazione assoluta
Nuova creazione di Davide Bombana
Musiche Ludwig van Beethoven
Costumi Santi Rinciari
Luci Carlo Cerri
Voce recitante Marco Pierin
Corpo di ballo del Teatro Massimo
Assistenti alla coreografia e Maître de ballet Marco Pierin, Sabrina Vitangeli

In diretta streaming sulla WebTV del Teatro Massimo

Programme

Scena del balcone da Romeo e Giulietta

Coreografia Kenneth MacMillan
Musica Sergej Prokofiev
Interpreti Martina Arduino, Marco Agostino

Cantus da Galathea’s Myths

Coreografia Davide Bombana
Musica Arvo Pärt
Interpreti Alessandro Cascioli, Emilio Barone

Pas de deux da Caravaggio

Coreografia Mauro Bigonzetti
Musica Claudio Monteverdi e Bruno Moretti
Interpreti Nicoletta Manni, Timofej Andrijashenko

Variazione n. 25 da Goldberg Variations

Coreografia Heinz Spoerli
Musica Johann Sebastian Bach
Interpreti Martina Arduino, Marco Agostino

About

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

Programme

Ilaria Grippaudo

presents Salome by Richard Strauss.

Ilaria Grippaudo is a researcher at the University of Palermo. In 2010, she received her PhD in musicology from the University of Rome “La Sapienza”. She teaches History of Music in the Humanities degree course and was a research fellow at the University of Palermo (2013-2017). Her research interests cover a broad spectrum of topics ranging from musical life in Sicily to the history of opera and the study of music in women’s monasteries. She has published numerous articles, both in Italian and in other languages, in international scientific journals. In 2014, she was the winner of the biennial “Pier Luigi Gaiatto” Prize instituted by the Levi Foundation in Venice, which later merged into the monograph published by Olschki in 2022, Musica e devozione nella ‘Città Felicissima’. Ordini religiosi e pratiche sonore a Palermo tra Cinque e Seicento.

Poster