About
We inform the audience that the concert has been canceled.
We are sorry for the inconvenience.
Saturday, March 7 and Sunday, March 8 2026 | Sala ONU
InCanto di donna
Teatro Massimo Cantoria
Chorus Master Giuseppe Ricotta
Tickets
Full price: 10 €
Concession: 8 €
Students: 4 €
Programme
Music by
Franz Schubert, Gabriel Faurè, Wolfgang Amadeus Mozart, Giacomo Puccini, Karl Jenkins, John Rutter, Leonard Choen, Giuseppe Ricotta
About
January 26 2026 at 9pm| Main Stage
La coperta di Ruth
(Storia di un’ebrea)
Performed by the theater company Il tesoro ritrovato
Director and author Giovanna Allotta
Anna Cane presents the performance.
This show is in Italian; a basic understanding of the language is adviced.
Under the Patronage of the Assemblea Regionale Siciliana
Tickets
A voluntary donation is requested to attend the show.
For further information, please call +39 350 1979252.
Sullo spettacolo
Presentazione
La coperta di Ruth (Ruth’s Blanket) stages the drama of the Shoah with strong emotions and profound reflections on the themes of racial discrimination and human suffering.
The story is set during the period of anti-Semitism and describes the human spirit of those who, prisoners and victims of Nazism, lived part of their lives between life and death.
The theater company also includes actors with disabilities, whose presence and talent are a concrete example that limitations can be overcome and diversity can become a strength.
The proceeds from the evening will be used to support the association’s activities aimed at children with disabilities.
About
Saturday 16 May 2026 at 6.00 pm – Sala ONU
Sacrificing the Sacred
The demolition of religious complexes to make way for the construction of the Teatro Massimo in Palermo (1868–1897)
Lecture by Flaminia Ferlito, PhD in Analysis and Management of Artistic Heritage at the IMT School for Advanced Studies in Lucca
In collaboration with Palazzo Butera Foundation
and Bibliotheca Hertziana – Max Planck Institute for Art History
The lecture is held in Italian. Free admission subject to availability
Programme
Find out more
From 1875 onwards, in the heart of Palermo’s historic centre, an entire neighbourhood was radically redesigned to make way for a symbol destined to embody modernity and the rise of the Italian middle class: the Teatro Massimo, which was inaugurated with great pomp on 16 May 1897. Within a few years, four religious complexes – San Francesco alle Stimmate, San Giuliano, Sant’Agata alle Mura and Santa Marta – along with their architecture, art collections and communities deeply rooted in the local area. Yet not everything was lost. Through a critical reinterpretation of the events and the analysis of unpublished archival sources, traces emerge of an extraordinary heritage that had long remained scattered.
Works, fragments and memories resurface from a history of only apparent obliteration: a case in point is Giacomo Serpotta’s extraordinary stucco work, now preserved at the Oratorio dei Bianchi, bearing witness to an artistic legacy which, though stripped of its original context, continues to recount the complexity of that transformation.
The conference thus offers, exactly 129 years after the inauguration of the Teatro Massimo, a fresh perspective on one of the most profound urban metamorphoses of nineteenth-century Palermo, bringing to light what existed before the Teatro Massimo and restoring a voice to an urban, artistic and human fabric which, though transformed, continues to live on in its traces and in the city’s memory.
Flaminia Ferlito is an art historian and holds a PhD in Analysis and Management of Artistic Heritage from the IMT School for Advanced Studies in Lucca. Her research focuses on Italy’s religious heritage, with particular attention to the ways in which it was managed, protected, dispersed and introduced into the international art market in the period following the unification of Italy. During her research in 2025, she was a pre-doctoral fellow at the Hertziana Library in Rome, in the department headed by Tanja Michalsky, where she was able to study the complex relationships surrounding the demolition of religious complexes to make way for the construction of the Teatro Massimo in Palermo. In 2024, she was a visiting researcher at Columbia University in New York, whilst in 2023 she served as a visiting scholar at the University of California, Berkeley.
Info
Creative cast
Creative direction Luca Pintacuda
Artistic direction Antonino Serafino
Screenplay Fabrizio Pedone
Music and live performances Giulia Tagliavia, Giovanni Magaglio
Interaction Design Alessandro Disingrini, Albert Julius Cabri
Designers Lidia Falletta, Serena Pantaleo, Claudia Rago, John Mark Poultry, Rosaria Gallè
Tickets
Biglietti
Full price €12 + €8 guided tour
Reduced (under 26 and card under 35) €8 + €6 guided tour
Reduced price for school groups €4 + €3 guided tour
Free: one accompanying teacher for every 10 students, H students and their support teachers
It is also possible to purchase the show only (without the guided tour)
Gallery
Highlights
An experience in which the public will find itself surrounded by projections, lights, music; a one-of-a-kind show in which the stages, the ceiling and the holographic sheets become the projection surfaces on which the narrative develops. Over the centuries, the harmonies and disharmonies of nature have inspired musicians and composers who have tried to translate into music the alternation of the seasons, the noises produced by natural phenomena, by living beings, by the movements of the cosmos. “Sounds in Extinction” questions and questions the viewer on the relationship between music, art and the natural environment, and on the evolution of this relationship in relation to a world that is increasingly artificial, urban, virtual and the danger of the progressive disappearance of entire ecosystems.

