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About

We inform the audience that the concert has been canceled.
We are sorry for the inconvenience.

Saturday, March 7 and Sunday, March 8 2026 | Sala ONU

InCanto di donna

Teatro Massimo Cantoria
Chorus Master Giuseppe Ricotta

Tickets

Full price: 10 €
Concession: 8 €
Students: 4 €

Programme

Music by

Franz Schubert, Gabriel Faurè, Wolfgang Amadeus Mozart, Giacomo Puccini, Karl Jenkins, John Rutter, Leonard Choen, Giuseppe Ricotta

About

January 26 2026 at 9pm| Main Stage

La coperta di Ruth
(Storia di un’ebrea)

Performed by the theater company Il tesoro ritrovato
Director and author
 Giovanna Allotta

Anna Cane presents the performance.

This show is in Italian; a basic understanding of the language is adviced. 

Under the Patronage of the Assemblea Regionale Siciliana

Tickets

A voluntary donation is requested to attend the show.
For further information, please call +39 350 1979252.

Sullo spettacolo

Presentazione

La coperta di Ruth (Ruth’s Blanket) stages the drama of the Shoah with strong emotions and profound reflections on the themes of racial discrimination and human suffering.
The story is set during the period of anti-Semitism and describes the human spirit of those who, prisoners and victims of Nazism, lived part of their lives between life and death.
The theater company also includes actors with disabilities, whose presence and talent are a concrete example that limitations can be overcome and diversity can become a strength.
The proceeds from the evening will be used to support the association’s activities aimed at children with disabilities.

About

Saturday 16 May 2026 at 6.00 pm – Sala ONU

Sacrificing the Sacred

The demolition of religious complexes to make way for the construction of the Teatro Massimo in Palermo (1868–1897)

Lecture by Flaminia Ferlito, PhD in Analysis and Management of Artistic Heritage at the IMT School for Advanced Studies in Lucca

In collaboration with Palazzo Butera Foundation
and Bibliotheca Hertziana – Max Planck Institute for Art History

The lecture is held in Italian. Free admission subject to availability

 

Programme

Find out more

From 1875 onwards, in the heart of Palermo’s historic centre, an entire neighbourhood was radically redesigned to make way for a symbol destined to embody modernity and the rise of the Italian middle class: the Teatro Massimo, which was inaugurated with great pomp on 16 May 1897. Within a few years, four religious complexes – San Francesco alle Stimmate, San Giuliano, Sant’Agata alle Mura and Santa Marta – along with their architecture, art collections and communities deeply rooted in the local area. Yet not everything was lost. Through a critical reinterpretation of the events and the analysis of unpublished archival sources, traces emerge of an extraordinary heritage that had long remained scattered.

Works, fragments and memories resurface from a history of only apparent obliteration: a case in point is Giacomo Serpotta’s extraordinary stucco work, now preserved at the Oratorio dei Bianchi, bearing witness to an artistic legacy which, though stripped of its original context, continues to recount the complexity of that transformation.

The conference thus offers, exactly 129 years after the inauguration of the Teatro Massimo, a fresh perspective on one of the most profound urban metamorphoses of nineteenth-century Palermo, bringing to light what existed before the Teatro Massimo and restoring a voice to an urban, artistic and human fabric which, though transformed, continues to live on in its traces and in the city’s memory.

Flaminia Ferlito is an art historian and holds a PhD in Analysis and Management of Artistic Heritage from the IMT School for Advanced Studies in Lucca. Her research focuses on Italy’s religious heritage, with particular attention to the ways in which it was managed, protected, dispersed and introduced into the international art market in the period following the unification of Italy. During her research in 2025, she was a pre-doctoral fellow at the Hertziana Library in Rome, in the department headed by Tanja Michalsky, where she was able to study the complex relationships surrounding the demolition of religious complexes to make way for the construction of the Teatro Massimo in Palermo. In 2024, she was a visiting researcher at Columbia University in New York, whilst in 2023 she served as a visiting scholar at the University of California, Berkeley.

The poster

Info

Creative cast

Creative direction Luca Pintacuda
Artistic direction Antonino Serafino
Screenplay Fabrizio Pedone
Music and live performances Giulia Tagliavia, Giovanni Magaglio
Interaction Design Alessandro Disingrini, Albert Julius Cabri
Designers Lidia Falletta, Serena Pantaleo, Claudia Rago, John Mark Poultry, Rosaria Gallè

Tickets

Biglietti

Full price €12 + €8 guided tour
Reduced (under 26 and card under 35) €8 + €6 guided tour
Reduced price for school groups €4 + €3 guided tour
Free: one accompanying teacher for every 10 students, H students and their support teachers

It is also possible to purchase the show only (without the guided tour)

Highlights

An experience in which the public will find itself surrounded by projections, lights, music; a one-of-a-kind show in which the stages, the ceiling and the holographic sheets become the projection surfaces on which the narrative develops. Over the centuries, the harmonies and disharmonies of nature have inspired musicians and composers who have tried to translate into music the alternation of the seasons, the noises produced by natural phenomena, by living beings, by the movements of the cosmos. “Sounds in Extinction” questions and questions the viewer on the relationship between music, art and the natural environment, and on the evolution of this relationship in relation to a world that is increasingly artificial, urban, virtual and the danger of the progressive disappearance of entire ecosystems.

About

December 3-14, 2024 | Sala ONU

5 to 10 years old | Reservations from October 7, 2024

Dramaturgy Silvia Ajelli
With music by Wolfgang Amadeus Mozart
Original music, arrangements and transcriptions by Simone Piraino
Conductor Michele De Luca
Scene Elements Stefano Canzoneri
Costumes Marja Hoffmann

Teatro Massimo Orchestra
A production of the Teatro Massimo di Palermo

Cast

Amadè Silvia Ajelli
Papageno/Commendatore/Figaro Giuseppe Esposito (3, 5, 10, 12, 14) / Mariano Orozco (4, 6, 7, 11, 13)
Papagena/Donna Elvira/Susanna Martina Mazzola (3, 5, 10, 11, 14) / Federica Foresta (4, 6, 7, 12, 13)

Tickets

Students 4 €
Full price 10 €
Reduced price 8 €
For more information

Programme

The plot

The show introduces the young audience to the discovery of Mozart’s life and his music through encounters with the most famous characters from his works, in a theatrical play that mixes life and theatre.

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced. 

Performances from Tue to Fri are events for school groups. In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

Sat performances are open to everyone.

HERE all information (in Italian) about the Educational project for schools.

Poster

Info

17 – 19 December |Main Stage

Falstaff

Burattini e burle

Based on Falstaff di Giuseppe Verdi
Music Dramaturgy Anna Pedrazzini
Dramaturgy and Direction Nadia Milani

A new production of AsLiCo
Opera kids – XVI edition

Running time: 50 minutes

For children aged 5 – 8

Tickets

Full price: 12 €
Concession:
10 €
Students:
5 €
Free entrance for 1 teacher every 10 students, students with disabilities and their support teachers

About

The plot

Falstaff is an old, light-hearted puppeteer who, short of money, devises stratagems and intrigues to survive.

His puppets and marionettes, together with the children of the audience, laugh and enjoy themselves at his clumsy tricks, then help him put things right.

We thus enter a timeless world populated by masks, puppets and marionettes, which recalls photographs of times past with the vividness of the present.

A world where everything is a joke (tutto è burla)!

Spoken parts of the performance are in Italian; a basic understanding of the language is adviced. 

This event is part of the Educational Programme of the Teatro Massimo for School Groups.

In case seats are available to the general audience, they will be on sale on the same day of performance at the box-office.

About

This event is in Italian.

Free entrance

You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).

The presentations are organized by Associazione Amici del Teatro Massimo.

Programme

Ilaria Grippaudo

presents the ballet Cenerentola (Cinderella), choreographed to music by Sergei Prokofiev.

Info

From 15 to 20 October 2021

Auditorium

 

Vincenzo Bellini
Il pirata

Conductor Francesco Lanzillotta
Director and Scene Designs Luigi Di Gangi e Ugo Giacomazzi
Costume Designs Isabella Rizza
Lighting Designs Luigi Biondi
Scene Designs Assistant Chiara Mirabella
Costume Designs Assistant Tatiana Lerario
Chorus Master Ciro Visco
A new Teatro Massimo production

Live Streaming on the Teatro Massimo WebTv on October 15

Teatro Massimo Orchestra and Chorus

Cast

Cast

Ernesto Vittorio Prato (15, 17, 20) / Francesco Vultaggio (19)
Imogene Roberta Mantegna (15, 17, 20) / Marta Torbidoni (19)
Gualtiero Celso Albelo (15, 17, 20) / Giorgio Misseri (19)
Itulbo Motoharu Takei
Goffredo Giovanni Battista Parodi
Adele Natalia Gavrilan

New Guidelines for the Audience

Please take a few minutes to read the new safety and health guidelines linked to the Covid-19 emergency. Bear in mind that a Digital Covid Certificate (green pass) is required to access the theatre.

Where to buy your tickets

At the Box-office, online on TicketOne.it, by calling the call centre.

Using a Voucher

You can use the voucher you received for a 2020 canceled performance  to buy tickets. Please notice that vouchers issued by TicketOne and the selling points can only be used to buy online on ticketone.it. Vouchers issued by the box-office and the call center can be used at the box-office and at the call center.

Concessions

Under 26, Under35 Card holders, 2020 subscribers, #iorinuncioalrimborso donors, students of the University of Palermo, Palermo Conservatory of Music and Palermo Academy of Arts, Uncalm, groups (at least 20 people for the same date), Diamond Card holders. 6 seats are reserved for people with disabilities and their companions for each performance (at the fare of section 6) - check with the box-office for further info. 
You will be required to show your ID/certificate to get concession prices.

Photo © Rosellina Garbo

Photo © Franco Lannino

About

Serata di danza

Passi a due dal repertorio classico/contemporaneo

“RIPAR-TÄNZE”
(Grossa Fuga ai tempi del Covid19)
Prima rappresentazione assoluta
Nuova creazione di Davide Bombana
Musiche Ludwig van Beethoven
Costumi Santi Rinciari
Luci Carlo Cerri
Voce recitante Marco Pierin
Corpo di ballo del Teatro Massimo
Assistenti alla coreografia e Maître de ballet Marco Pierin, Sabrina Vitangeli

In diretta streaming sulla WebTV del Teatro Massimo

Programme

Scena del balcone da Romeo e Giulietta

Coreografia Kenneth MacMillan
Musica Sergej Prokofiev
Interpreti Martina Arduino, Marco Agostino

Cantus da Galathea’s Myths

Coreografia Davide Bombana
Musica Arvo Pärt
Interpreti Alessandro Cascioli, Emilio Barone

Pas de deux da Caravaggio

Coreografia Mauro Bigonzetti
Musica Claudio Monteverdi e Bruno Moretti
Interpreti Nicoletta Manni, Timofej Andrijashenko

Variazione n. 25 da Goldberg Variations

Coreografia Heinz Spoerli
Musica Johann Sebastian Bach
Interpreti Martina Arduino, Marco Agostino