Cast
Opera in three acts by Giuseppe Verdi
Libretto by Francesco Maria Piave
Conductor Daniel Oren
Director John Turturro
restaged by Cecilia Ligorio
Scene Designs Francesco Frigeri
Costume Designs Marco Piemontese
Lighting Designs Alessandro Carletti
Lighting Designs Revival Ludovico Gobbi
Coreographer Giuseppe Bonanno
Teatro Massimo Chorus, Ballet and Orchestra
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A production of the Teatro Massimo di Palermo in coproduzione con Teatro Regio di Torino, Shaanxi Opera House e Opéra Royal de Wallonie-Liège
Cast
Rigoletto Amartuvshin Enkhbat (20, 24, 26, 28) / Daniel Luis de Vicente (21, 23, 25, 27)
Duca di Mantova Ivan Ayón Rivas (20, 24, 26, 28) / Ioan Hotea (21, 23, 25, 27)
Gilda Giuliana Gianfaldoni (20, 24, 26, 28) / Federica Guida (21, 23, 25, 27)
Giovanna Agostina Smimmero
Sparafucile Alexei Kulagin
Maddalena Valeria Girardello
Borsa Rosolino Claudio Cardile
Marullo Alessio Verna
Ceprano Italo Proferisce
Monterone Nicolò Ceriani
Contessa di Ceprano/Paggio Emanuela Sgarlata
Usciere di corte Enrico Cossutta (20, 24, 26, 28) / Federico Cucinotta (21, 23, 25, 27)
Tickets
Tickets
Booking opens on December 12 2023
from 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page
Gallery
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Dates
- 20 January8:00 PMPremiere21 January6:30 PMDanza Turn23 January6:30 PMOpera Turn24 January6:30 PMB Turn25 January6:30 PMScuola Turn26 January6:30 PMC Turn27 January6:30 PMSingle-Tickets28 January5:30 PMD Turn
Info
Il barbiere di Siviglia
Semptember 20 – 28, 2019 | Main Stage, Teatro Massimo
Libretto by Cesare Sterbini
Music by Gioachino RossiniConductor Gianluca Capuano
Director Pier Francesco Maestrini
Animazione e ideazione Joshua Held
Costume designs Luca Dall’Alpi
Lights Bruno CiulliFortepiano master: Giacomo Gati
Teatro Massimo Orchestra and Chorus
A production of Fondazione Arena di VeronaCast
Cast
Il conte d’Almaviva Levy Sekgapane
Don Bartolo Marco Filippo Romano
Rosina Chiara Amarù
Figaro Vincenzo Taormina
Don Basilio Carlo Lepore
Berta Piera Bivona
Fiorello Tommaso Barea
Un ufficiale Antonio Barbagallo-
Dates
- 20 September8:30 PMTurno Prime22 September6:30 PMTurno D24 September6:30 PMTurno B26 September6:30 PMTurno C28 September8:30 PMTurno F
Info
February 16 – 24 2024 | Main Stage, Teatro Massimo
Japanese tragedy in two acts by Giacomo Puccini
Libretto by Giuseppe Giacosa and Luigi IllicaConductor Omer Meir Wellber / Keren Kagarlitsky (24)
Director Nicola Berloffa
Associate Director Luigia Frattaroli
Scene Designs Fabio Cherstich
Costume Designs Valeria Donata Bettella
Lighting Designs Valerio Tiberi
Design video Paul Secchi
Dramaturgy Alexandra JudTeatro Massimo Chorus and Orchestra
Chorus Master Salvatore Punturo
A production of the Teatro Massimo Palermo
in coproduction with Macerata OperaCast
Cio-cio-san Maria Agresta (16, 18, 21, 23) / Barno Ismatullaeva (17, 20, 22, 24)
Suzuki Silvia Beltrami (16, 18, 21, 23) / Irene Savignano (17, 20, 22, 24)
Kate Emanuela Sgarlata
B. F. Pinkerton Jonathan Tetelman (16, 18, 21, 23) / Ivan Magrì (17, 20, 22, 24)
Sharpless Simon Mechliński (16, 18, 21, 23) Lodovico Filippo Ravizza (17, 20, 22, 24)
Goro Massimiliano Chiarolla
Il principe Yamadori Italo Proferisce
Lo Zio Bonzo Nicolò Ceriani
Yakusidé Cosimo Diano
Il Commissario imperiale Alessio Gatto Goldstein (16, 18, 21, 23) / Enrico Cossutta (17, 20, 22, 24)
L’ufficiale del Registro Gianfranco Giordano (16, 18, 21, 23) / Enrico Caruso (17, 20, 22, 24)
La Madre di Cio-Cio-San Damiana Li Vecchi (16, 18, 21, 23) / Daniela My (17, 20, 22, 24)
La Zia Gabriella Barresi (16, 18, 21, 23 )/ Mariella Maisano (17, 20, 22, 24)
La Cugina Cecilia Galbo (16, 18, 21, 23) / Simona Guaiana (17, 20, 22, 24)
Dolore Anastasia Lo VerdeTickets
Tickets
Booking opens on January 9 2024
from 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page
Gallery
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Dates
- 16 February8:00 PMPremiere17 February6:30 PMOpera Turn18 February5:30 PMD Turn20 February8:00 PMF Turn21 February6:30 PMC Turn22 February6:30 PMSchool-Groups Turn23 February6:30 PMB Turn24 February6:30 PMSingle-Tickets
About
November 24 to December 1 2024 | Main Stage, Teatro Massimo
György Ligeti
LE GRAND MACABRE
1996 version in English
Libretto by György Ligeti and Michael Meschke from La balade du grand macabre by Michel de Ghelderode
Staged in Palermo for the first timeConductor Omer Meir Wellber
Assistant Conductor Yael Kareth
Director Barbora Horáková
Scene Designs Thilo Ullrich
Costume Designs Eva-Maria Van Acker
Video Adrià Reixach
Assistant Director Antonella Cozzolino
Lighting Designs Michael Bauer
Cast
Nekrotzar Zachary Altman
Piet the Pot Dan Karlström
Amando Maya Gour
Amanda Magdaléna Hebousse
Astradamors Karl Huml
Mescalina Helena Rasker
Venus/Chied of the Gepopo Holly Flack
Prince Go-Go Karl Laquit
White-party Minister Daniel Jenz
Black-party Minister Michal Marhold
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore PunturoA Teatro Massimo New Production
Tickets
Booking
Tickets
Booking opens on November 5 2024from 20 to 145 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets PageGallery
Watch the trailer of the Opera
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Dates
- 24 November6:30 PMPremiere26 November6:30 PMTurno B28 November6:30 PMTurno C29 November8:00 PMTurno F1 December5:30 PMTurno D
Info
My Fair Lady
November 26 – December 3, 2019 |Main Stage, Teatro Massimo
Musical
Libretto by Alan Jay Lerner
Music of Frederick LoeweConductor Wayne Marshall
Director Paul Curran
Scene Gary Mc Cann
Costume Giusi Giustino
Coreographer Kyle Lang
Lighting Designs David Martin Jacques
Teatro Massimo Ballet, Orchestra and ChorusChorus Master Ciro Visco
A production of Teatro Massimo with Teatro San Carlo of NaplesCast
Cast
Henry Higgins Robert Hands
Eliza Doolittle Nancy Sullivan
Colonnel Pickering John Conroy
Alfred P. Doolittle Martyn Ellis
Freddy Eynsford-Hill Rhys Whitfield
Mrs. Higgins Julie Legrand
Mrs. Eynsford-Hill Gillian Bevan
Mrs. Pearce Rosemary Ashe
Jamie Andy Brady
Harry Graham Mackay-Bruce
Ensemble Helen Colby, Myke Cotton, Jade Davies, Nicholas Duncan, Olivia Holland-Rose, James Hume, Fiona O’Carroll, Brad Veitch
Cover for Henry HigginsHarry BurtonGallery
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Dates
- 26 November8:30 PMTurno Prime27 November6:30 PMTurno Scuola28 November6:30 PMTurno C29 November8:30 PMTurno F30 November6:30 PMTurno Danza1 December5:30 PMTurno D3 December6:30 PMTurno B
About
From 16 to 23 April 2023 |Main Stage, Teatro Massimo
Lyric tragedy in two acts
by Vincenzo Bellini
Conductor Lorenzo Passerini
Directors Ugo Giacomazzi and Luigi Di Gangi
Scene Design Federica Parolini
Costume Design Daniela Cernigliaro
Lighting Design Luigi Biondi
Assistant Director and Assistant Lighting Design Francesco TraversoA production of the Teatro Massimo in co-production with Sferisterio di Macerata
Cast
Norma Marina Rebeka (16, 20, 23) / Desirée Rancatore (18, 19, 22)
Pollione Dmitry Korchak (16, 18, 20, 23) / Matteo Falcier (19, 22)
Adalgisa Maria Barakova (16, 18, 20, 23) / Lilly Jørstad (19, 22)
Oroveso Riccardo Fassi
Flavio Massimiliano Chiarolla
Clotilde Elisabetta Zizzo
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
More info
ACT I
In the 1st century A.D. Gaul is occupied by the Romans. Oroveso, head of the druids, and the Gauls are waiting the high priestess and daughter of Oroveso, Norma, to reveal the will of the God Irminsul, and therefore a sign for the war against the Romans to start (“Ite sul colle, o Druidi”).
During their regular patrol, the roman proconsul Pollione tells his friend Flavio that he is no longer in love with his secret lover Norma. He has fallen for the novice Adalgisa. Norma has already given him two sons (“Meco all’altar di Venere”).
Norma arrives at the temple and tells the Gauls that the time is not ready for war (“Sediziose voci” – “Casta diva”).
After everyone has left, the novice Adalgisa arrives at the altar and prays to the God because she has fallen in love with the proconsul Pollione. He surprises her and persuades her to go with him to Rome (“Va’, crudele, e al dio spietato”).
Meanwhile, Norma and Clotilde, the only one who knows about her two sons, are with the children in Norma’s home. Norma heard that Pollione has to go back to Rome but she is not sure that he will take her and the two children with him anymore. Clotilde hides the two sons before Adalgisa’s arrival. Adalgisa wants to break her vow to follow her lover (“Sola, furtiva al tempio”). Norma is ready to release Adalgisa from her vow, but when she learns that Pollione is the lover, her love towards him changes into hate (“Oh, di qual sei tu vittima”). At this moment the holy bell is heard and Norma has to go into the temple for the ceremony.ACT II
Norma wants to kill herself and the children to keep them away from Pollione (“Dormon entrambi”). But she cannot. Instead, she summons Adalgisa to take the children with her and Pollione to Rome (“Deh! con te, con te li prendi”). The girl refuses, she wants to bring Pollione back to Norma (“Mira, o Norma”).
The Gauls assemble at the altar to hear Oroveso’s announcement that Pollione is being replaced by a crueler commander (“Ah! del Tebro al giogo indegno”).
Norma is waiting for the return of Pollione but Clotilde tells her that Pollione won’t go without Adalgisa. Norma takes this as the sign from the God Irminsul, and announces the war against the Romans (“Guerra! Guerra!”). Before the war can begin, they have to bring a sacrifice to the God. In this moment Clotilde arrives and says that a roman soldier has invaded the temple. Pollione is brought to the altar and Oroveso demands his death.
Norma wants to speak with Pollione alone and offers him his freedom if he leaves Adalgisa (“In mia man alfin tu sei”). But even the threat to kill the two children cannot change Pollione’s mind. Norma swears to kill not only the Romans but also Adalgisa. Pollione wants to kill himself, but Norma calls back the Gauls and announces that a priestess has broken her vows and therefore she will be the sacrifice. But instead of saying Adalgisa’s name, she says her own. She confesses her love towards Pollione (“Qual cor tradisti”). Her last thoughts are with her children, which she entrusts to her father (“Deh, non volerli vittime”). Oroveso promises to take care of them. The Gauls curse Norma on her way to the pyre. Pollione realises his love towards Norma and follows her into death.Gallery
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Dates
- 16 April8:00 PMPremiere18 April6:30 PMC Turn19 April6:30 PMSchools Turn20 April6:30 PMOpera Turn22 April8:00 PMF Turn23 April5:30 PMD Turn
Cast
April 14 – 21 2024 | Main Stage, Teatro Massimo
Opera in 3 acts by Georges Bizet
Libretto by Michel Carré and Eugène CormonConductor Gabriele Ferro
Director and Coreographer Thomas Lebrun
Direction and Coreography Revival and Adaptation Angelo Smimmo
Scene Designs Antoine Fontaine
Scene Designs Collaborator Roland Fontaine
Costume Designs David Belugou
Lighting Designs Patrick Méeüs
Lighting Revival Nolwenn Annic
Assistant Coreographer Valentina Golfieri
Teatro Massimo Chorus, Ballet and Orchestra
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A production of the Opéra national du Capitole de ToulouseCast
Nadir Dmitri Korchak (14, 18, 21) / Matteo Falcier (16, 19)
Leïla Federica Guida
Zurga Alessandro Luongo
Nourabad Ugo GuagliardoRunning time
165 minutes (including two intervals)
Tickets
Tickets
Gallery
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Dates
- 14 April8:00 PMPremiere16 April6:30 PMSchool-Groups Turn18 April6:30 PMC Turn19 April6:30 PMB Turn21 April5:30 PMD Turn
Info
January 24 – 30 2025 – Main Stage, Teatro MassimoGiuseppe Verdi
OTELLOLibretto by Arrigo Boito, from Othello by William ShakespeareConductor Jader BignaminiDirector Mario MartoneCollaborating Director Raffaele Di FlorioScene Designs Margherita PalliScene Designs Assistant Valentina DellaviaCostume Designs Ortensia De FrancescoCostume Designs Assistant Marianna CarboneVideo Alessandro PapaLighting Designs Pasquale MariCast
Otello (*) Yusif Eyvazov (24, 26) / Mikheil Sheshaberidze (25, 28, 30) / Arsen Soghomonyan (29)Desdemona Barno Ismatullaeva (24, 26, 28, 30) / Maria Motolygina (25, 29)Iago Nicola Alaimo (24, 26, 28, 30) / Devid Cecconi (25, 29)Emilia Irene SavignanoCassio Riccardo Rados (24, 26) / Rosolino Claudio Cardile (25, 28, 29, 30)Roderigo Andrea SchifaudoLodovico Adriano GramigniMontano / L’araldo Italo ProferisceTeatro Massimo Orchestra, Chorus and Youth ChorusChorus Master Salvatore Punturo(*) A causa di un’indisposizione di Yusif Eyvazov, il ruolo di Otello nelle ultime recite verrà interpretato da Mikheil Sheshaberidze il 28 e 30 gennaio e da Arsen Soghomonyan il 29 gennaio.Tickets
Booking
Tickets
Booking opens on December 3 2024from 22 to 165 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets PageGallery
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Dates
- 24 January8:00 PMPremiere25 January6:30 PMTurno Opera26 January5:30 PMTurno D28 January6:30 PMTurno C29 January6:30 PMTurno Scuola30 January6:30 PMTurno B
Info
Winter Journey
October 4 – 8, 2019 |Main stage, Teatro Massimo
Prima rappresentazione assoluta
Commissione del Teatro Massimo di Palermoun’opera di Ludovico Einaudi / Colm Tóibín / Roberto Andò
Libretto by Colm Tóibín
Music by Ludovico Einaudi
Ideazione drammaturgica Roberto AndòConductor Carlo Tenan
Director Roberto Andò
Scene and Lights designs Gianni Carluccio
Costume designs Daniela Cernigliaro
Video Luca Scarzella
Suono Hubert Westkemper
Director assistan Luca Bargagna
Scene assistant Sebastiana Di Gesu
Costume assistant Rosa MariottiTeatro Massimo Orchestra and Chorus
Chorus Master Ciro Visco
A new productio of Teatro Massimo
with Teatro San Carlo of NaplesProgramme
Programme
Winter Journey is a journey into today’s desolate European winter, in the desperate loneliness of those who are forced to leave their country to embark on lands where they can beg for a handful of life.
The work is made of fragments that reveal the depth of an interior landscape in the center of which stand three souls fleeing, or waiting. The protagonists are a man, a woman and a child. Around them, a politician, and a chorus of men and women who state their reasons for rejecting or welcoming foreigners.
Whether you call it a love story between a man and a woman, or between a child and his parents, this is a story that goes beyond the ordinary boundaries of love. Loss, pain, loneliness, despair and irony are the different intonations of the voices that chase you in a tragic conversation, which sometimes takes on the feverish tone of desire, others the lyrical and poignant tone of absence.Gallery
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Dates
- 4 October8:30 PMTurno Prime5 October4:30 PMTurno B5 October9:30 PMTurno F6 October5:30 PMTurno D8 October6:30 PMTurno C