Gloria

Suite from The Firebird (1919’s version)

Igor Stravinsky
Symphonies d’instruments à vents (versione 1947)

Olivier Messiaen
Oiseaux exotiques per pianoforte e orchestra da camera

Claude Debussy
Danses sacrée et profane per arpa e orchestra d’archi
Arpa Francesca Luppino

Richard Wagner
Siegfried-Idyll

Conductor Maxime Pascal
Piano Sinforosa Petralia
Teatro Massimo Orchestra

Booking opens on January 9 2024

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Ein Heldenleben

Composed in 1898, ‘A Hero’s Life’ (Ein Heldenleben), Op. 40, is one of Richard Strauss’ most emblematic and ambitious symphonic works. Famous for its orchestral richness, it features an impressive ensemble with a wide range of wind instruments, percussion and a solo role of great virtuosity entrusted to the first violin. The piece recounts the life of a man who reconsiders his entire existence and the meaning of his work. The German composer portrays himself as a ‘hero’, not in the conventional sense, but as an artist committed to his creative struggle and his vision of the world. The score is divided into six sections that range from heroic battle scenes to moments of deep introspection, and outline an intense musical self-portrait. The first section, The Hero, evokes a portrait of the poem’s protagonist; the second, The Hero’s Adversaries depicts the hero’s critics and opponents, with dissonances and harsh sounds; the third The Hero’s Companion celebrates love with a long violin solo; the fourth The Battlefield depicts the struggles and challenges faced by the artist, culminating in a sonorous explosion; the fifth The Works of Peace takes up themes from Strauss’s earlier works and his artistic achievements; the sixth and final The Retreat from the World and the Hero’s End is a melancholic epilogue that marks the hero’s detachment from worldly struggles and the attainment of inner peace.

Translated with DeepL.com (free version)

Ludwig van Beethoven   
Gratulations-Menuett WoO 3
“Ah perfido!” Aria da concerto op. 65 per soprano e orchestra
Sinfonia n. 3 in Mi bemolle maggiore op. 55 “Eroica”

Conductor  Gabriele Ferro
Soprano Sophie Karthäuser   
Teatro Massimo Orchestra

Stabat Mater

Stabat Mater

A monumental work of great beauty and a condemnation of all wars, in the past as well as today.
It is the ‘War Requiem’ by Benjamin Britten, composer and avowed pacifist, who composed it in 1962 for the solemn inauguration of the new Coventry Cathedral, rebuilt after the devastation of World War II bombings.

The structure of the ‘War Requiem’ interweaves the traditional Latin text of the Requiem Mass with the poignant poems of Wilfred Owen, the English soldier and poet who wrote from the front about the horrors of the trenches and the senselessness of war, who died in 1918 just days before the end of the First World War.
His powerful poems bear witness to the brutality of war and the author’s deep humanity. Through the use of two languages and two distinct texts – and the reference to two different wars – Britten amplifies the universal message of the ‘War Requiem’, emphasising the horror of the Second World War and recalling the tragedy of the First World War. A masterpiece that, with its message of condemnation and hope for reconciliation, continues to resonate powerfully today.