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Raggiungi il Teatro con BIT

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January 8 2026, 20:30 pm | Main Stage

Beethoven – Missa Solemnis

Conductor Umberto Clerici
Soprano Eleanor Lyons
Contralto Sofia Koberidze
Tenor Matteo Mezzaro
Bass Luca Tittoto

Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

Ludwig van Beethoven
Missa solemnis for solo, chorus and orchestra, Op. 123

Tickets

Tickets

Booking opens on November 12 2025

About

January 10 2025, 8:30pm – Main Stage, Teatro Massimo

Punturo – Requiem Tedesco

Conductor Salvatore Punturo
Pianoforte Giuseppe Cinà and Matteo Londero

Teatro Massimo Chorus

Johannes Brahms
Ein deutsches Requiem
(version for chorus and piano four hands)

Tickets

Booking

Tickets
Booking opens on January 7 2025
from 15 to 30 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

February 8 2026, 8:30 pm| Main Stage

Beethoven / Poulenc

Conductor Frédéric Chaslin
Violin Salvatore Greco
Cello Kristi Curb
Soprano Julie Cherrier-Hoffmann
Soprano Giulia Semenzato

Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo

 

Programme & Tickets

Ludwig van Beethoven

Triple concert for piano, violin and cello op. 56

Ludwig van Beethoven

Fantasia corale op. 80

Francis Poulenc

Fiançailles pour rire (orchestration Frédéric Chaslin)

Les chemins de l’amour (orchestration Frédéric Chaslin)
Soprano Julie Cherrier-Hoffmann

Francis Poulenc

Stabat Mater
Soprano Giulia Semenzato

Ph. Franco Lannino

Info

November 15 2023, 8:30pm | Main Stage, Teatro Massimo

Giufà
Storie che viaggiano nel tempo

Piano, accordion and harpsichord Omer Meir Wellber
Tenor and guitar Mert Süngü
Fretless Guitar & e-bow Cenk Erdoğan
Doublebass Daniele Pisanelli
Percussions Silvia De Checchi

Music by
Georg Friedrich Händel, Giuseppe Donizetti, Gioachino Rossini and taken from traditional turkish, sephardic and sicilian music

Tickets

Tickets

Booking opens on November 7 2023

Price range: 15 to 30 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

About

January 12 2025, 8:30pm – Main Stage, Teatro Massimo

Clerici / Amarù
Folk Songs

Conductor Umberto Clerici
Mezzosoprano Chiara Amarù

Teatro Massimo Orchestra

György Ligeti
Concert Românesc

Luciano Berio
Folk Songs

Ludwig van Beethoven
Symphony No. 2 in D Major op. 36

Tickets

Booking

Tickets
Booking opens on November 5 2024
from 15 to 30 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

February 25 2026, 8:30 pm | Main Stage

Orchestra Nazionale Barocca dei Conservatori

National Baroque Orchestra of the Italian Conservatories of Music


Conductor and violin
Emmanuel Resche-Caserta
Soprano
Marie Perbost

Orchestra Nazionale Barocca dei Conservatori

Project by the Ministry of University and Research
In collaboration with the Alessandro Scarlatti Conservatory of Music in Palermo

 

Programme

Marc-Antoine Charpentier

Marche de Triomphe (1691ca.)

Marc-Antoine Charpentier

Ouverture from the Te Deum (1692)

Jean-Philippe Rameau

Aria of the Folie from the ballet bouffon Platée (1745)

Jean-Baptiste Lully

Suite from the comédie-ballet Le Bourgeois Gentilhomme (1670)

Jean-Baptiste Lully

Passacaille from the tragédie lyrique Armide Passacaille (1686)

Marin Marais

Suite from the tragédie lyrique Alcyone (1706)

Jean-Philippe Rameau

Aria “Tristes apprêts”, from the tragédie lyrique Castor et Pollux (1737)

Jean-Philippe Rameau

Suite from the opéra-ballet Les Indes Galantes (1735)

Jean-Philippe Rameau

Aria “Aquilons fougueux”, from the tragédie lyrique Dardanus (1739)

Jean-Philippe Rameau

Entrée de Polymnie, from the tragédie lyrique Les Boréades (1763)

Jean-Philippe Rameau

Rigaudons from the ballet bouffon Platée (1745)

Jean-Philippe Rameau

Musette en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)

Jean-Philippe Rameau

Tambourin en Rondeau from the opéra-ballet Les Fêtes d’Hébé (1739)

Jean-Philippe Rameau

Aria “Rossignols amoureux”, from the tragédie lyrique Hippolyte et Aricie (1733)

Jean-Philippe Rameau

Chaconne dall’opéra-ballet Les Indes Galantes (1735)

Poster

Info

November 30 2023, 8:30pm | Main Stage, Teatro Massimo

Conductor Alessandro Cadario

Soprano Myrtò Papatanasiu

Teatro Massimo Orchestra

Under the Patronage of the President of the Hellenic Republic Katerina Sakellaropoulou

In collaboration with the Hellenic Comunity in Sicily Trinacria



Programme

Music by

Charles Gounod, Giuseppe Verdi, Giacomo Puccini, Nikolaos Skalkottas, Maurice Ravel, Mikis Theodorakis

Tickets
Booking opens on November 7 2023
Price range: 15 to 30 euro [check ticket fares & info]
Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

About

February 7 2025, 8:30pm – Main Stage, Teatro Massimo

Fratta / Lewis – Beethoven / Mendelssohn

Conductor Gianna Fratta
Piano Paul Lewis
Teatro Massimo Orchestra and Chorus

Ludwig van Beethoven
Concerto No. 5 for piano and orchestra in E Flat major, op. 73 “Imperatore”

Felix Mendelssohn
Symphony No. 3 in A minor for orchestra, op. 56 “Scozzese”

 

Tickets

Biglietti

Tickets
Booking opens on December 3 2025
from 15 to 30 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

Peter Eötvös

November 9 2019, 20:30  |Main stage, Teatro Massimo 

Info

György Ligeti
Atmosphères

Péter Eötvös   
Alle vittime senza nome (2016)
Per Luciano Berio

Franz Liszt   
Eine Symphonie zu Dante’s Divina Commedia S109

Conductor Peter Eötvös
Teatro Massimo Chorus and Orchestra

Programme

Programme

In addition to the influence of Dante, this colossal work is also shadowed by Richard Wagner, to whom the composition is dedicated. By sending him a copy of the complete score, on Easter day, Liszt wrote to Wagner: «As Virgil did for Dante, in the same way you taught me the way through the mysterious contradas of the sublime worlds of sounds. From the deepest heart I cry to you “You are my teacher and my author!” and consecrate this work with immutable faithful love». It always amazes the humility with which Liszt, although older and decidedly more famous (and rich) than Wagner, recognized the superiority of his future son-in-law. That he never reciprocated with esteem or gratitude; on the contrary, in the case of the Symphony on the Divine Comedy he suggested not to dare to attempt to represent Paradise. It is thus that the first two parts (Hell and Purgatory) are not followed by a third, but the symphony ends with a Magnificat entrusted to a female choir.