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Opera in three acts by Giuseppe Verdi
libretto by Francesco Maria Piave
based on Le roi s’amuse by Victor Hugo
Il duca di Mantova Francesco Meli (22, 24, 27, 29, 2)
Alessandro Liberatore (25, 28, 1)
Rigoletto Leo Nucci (22, 24, 27, 29, 2)
Marco Di Felice (25, 28, 1)
Gilda Norah Amsellem (22, 24, 27, 29)
Valentina Farcas (25, 28, 2)
Yolanda Auyanet (1)
Sparafucile Arutjun Kotchinian (22, 24, 27, 29, 2)
In-Sung Sim (25, 28, 1)
Maddalena Renata Lamanda (22, 24, 27, 29, 2)
Alessia Sparacio (25, 28, 1)
Giovanna, custode di Gilda Maria Motta
Il conte di Monterone Riccardo Ferrari
Marullo Giovanni Guagliardo
Matteo Borsa Nicola Pamio
Il conte di Ceprano Federico Longhi
La contessa, sua sposa Veronica Lima (22, 24, 27, 29)
Pinuccia Passarello (25, 28, 1, 2)
Usciere di corte Riccardo Schirò (22, 24, 27, 29)
Antonio Barbagallo (25, 28, 1, 2)
Un paggio della duchessa Veronica Lima
Conductor Keri-Lynn Wilson
Director Stefano Vizioli
from Pierluigi Samaritani's
Scenes and Costumes Designs Pier Luigi Samaritani
restaged by Alessandro Ciammarughi

Production by the Teatro Regio di Parma

Teatro Massimo Orchestra and Chorus
Chorus Master Andrea Faidutti
Click on any photograph you wish to see enlarged

Foto Franco Lannino © Studio Camera


More videos from the Teatro Massimo

More videos from the Teatro Massimo
Sunday 22/11/2009 8.30 pm Premiere
Tuesday 24/11/2009 6.30 pm B Turn
Wednesday 25/11/2009 6.30 pm Schools Turn S2
Friday 27/11/2009 6.30 pm C Turn
Saturday 28/11/2009 8.30 pm F Turn
Sunday 29/11/2009 5.30 pm D Turn
Tuesday 01/12/2009 8.30 pm Single-tickets-only evening
Wednesday 02/12/2009 6.30 pm Single-tickets-only evening
Running time
Act I 55 minutes
Interval 20 minutes
Act II 35 minutes
Interval 20 minutes
Act III 30 minutes
Act I.
At a party in his palace, the Duke of Mantua boasts of his way with women. He dances with the Countess Ceprano, and his hunchbacked jester, Rigoletto, mocks the countess’s enraged but helpless husband. The courtier Marullo bursts in with the latest gossip: Rigoletto is suspected of keeping a young mistress in his home. The jester, unaware of the courtiers’ talk, continues to taunt Ceprano, who plots with the others to punish the duke. Monterone, an elderly nobleman, forces his way into the crowd to denounce the duke for seducing his daughter and is viciously ridiculed by Rigoletto. Monterone is arrested and curses Rigoletto. Rigoletto hurries home, disturbed by Monterone’s curse. He encounters Sparafucile, a professional assassin, who offers his services. The jester reflects that his own tongue is as sharp as the murderer’s dagger. Rigoletto enters his house and warmly greets his daughter, Gilda. He describes her as an angel and adds that Gilda is all he has left. Afraid for the girl’s safety, he warns her nurse, Giovanna, not to let anyone into the house. When the jester leaves, the Duke appears and bribes Giovanna, who lets him into the garden. He declares his love for Gilda, who has secretly admired him at church, and tells her he is a poor student named Gualtier Maldè. After he leaves, she tenderly repeats his name before going to bed. The courtiers gather outside the garden intending to abduct Rigoletto’s “mistress.” Meeting Rigoletto outside the house, they change their story and instead ask his help in abducting Ceprano’s wife, who lives nearby. Laughing at the trick they have played on him, the courtiers break into the house and carry off Gilda. Rigoletto tears off the blindfold and rushes into the house. He realizes Gilda is gone and collapses as he remembers Monterone’s curse.

Act II.
In his palace, the duke is distraught about the abduction of Gilda, whom he imagines alone and miserable. When the courtiers return and tell him the story of how they took the girl from Rigolet- to’s house and left her in the duke’s chamber, the duke hurries off to the conquest. Rigoletto enters, looking for Gilda. The courtiers are astonished to find out that she is his daughter rather than his mistress, but prevent him from storming into the duke’s chamber. The jester violently accuses them for their cruelty but ends his ti- rade with a plea for compassion. Gilda appears and runs in shame to her father, who orders the others to leave. Alone with Rigoletto, Gilda tells him of the duke’s courtship, then of her abduction. When Monterone passes by on his way to execution, the jester swears that both he and the old man will be avenged. Gilda begs her father to forgive the Duke.

Act III.
Rigoletto and Gilda arrive at an inn on the outskirts of Man- tua where Sparafucile and his sister Maddalena live. Inside, the duke laughs at the fickleness of women. Gilda and Rigoletto watch through the window as the duke amuses himself with Maddalena. The jester sends Gilda off to Verona disguised as a boy and pays Sparafucile to murder the duke. A storm gathers. Gilda returns to overhear Maddalena urge her brother to spare the handsome stranger and kill the hunchback instead. Sparafucile refuses to murder Rigoletto but agrees to kill the next stranger who comes to the inn so that he will be able to produce a dead body – even though it is not the one he has paid for. Gilda decides to sacrifice herself for the duke. She knocks at the door and is stabbed. When the storm subsides, Rigoletto returns to claim the body, which he assumes is the duke’s. As he gloats over the sack Sparafucile has given him, he hears his supposed victim singing in the distance. Frantically tearing open the sack, he finds his daughter, who dies asking his forgiveness. Horrified, Rigoletto remembers Montero- ne’s curse.