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DIE TOTE STADT
Opera in three acts by Erich Wolfgang Korngold
Libretto by Paul Schott based on Le Mirage
and the short novel Bruges-la-Morte by Georges Rodenbach
Cast
Paul John Treleaven (16, 19, 21, 23)
John Uhlenhopp (18 e 22)
Marietta / Marie Nicola Beller Carbone (16, 19, 21, 23)
Manuela Uhl (18 e 22)
Frank Christopher Robertson
Brigitta Tiziana Tramonti
Juliette Mina Yamazaki
Lucienne Julia Oesch
Gaston (mime) Gino Potente
Victorin / Gaston's voice Clemens Bieber
Fritz Franco Pomponi
The Count Albert Federico Lepre


Conductor


Will Humburg
Director, Scenes and
Costumes Designs

Pierluigi Pizzi


Assistant Director /
Coreography
Marco Berriel

Assistant Director / Mime Andrea Bernard
Assistant Scenes Designs Serena Rocco
Assistant Costumes Design Lorena Marin
Lighting designer Vincenzo Raponi


A new production
with the Teatro La Fenice di Venezia

Palermo Premiere
Teatro Massimo Orchestra, Chorus and Youth Chorus
Chorus Master Andrea Faidutti
Youth Chorus Master Salvatore Punturo
Photographs
Click on any photograph you wish to see enlarged












Foto Franco Lannino © Studio Camera

Video

More videos from the Teatro Massimo
Thursday 16/04/2009 8.30 pm Premiere
Saturday 18/04/2009 8.30 pm F Turn
Sunday 19/04/2009 5.30 pm D Turn
Tuesday 21/04/2009 6.30 pm B Turn
Wednesday 22/04/2009 6.30 pm Schools Turn S2
Thursday 23/04/2009 6.30 pm C Turn
Running Time
First part 90 minutes
Interval 20 minutes
Second part 50 minutes
Synopsis
Act I.
Brigitta, Paul’s housekeeper, shows Frank, Paul’s visiting friend, the “Shrine from the Past,” a room in which Paul keeps the portrait and mementos of his deceased wife, Marie. Paul enters, exclaiming that he has met a woman who uncannily resembles Marie and that he has invited her to visit him. This woman, Marietta, a dancer from Lille, arrives. Accompanying herself on the lute, she sings a nostalgic song and then performs a seductive dance. She accidentally dislodges a curtain, exposing Marie’s portrait, and is startled by its resemblance to her. She then leaves for her rehearsal of Robert le Diable. Paul is torn between his loyalty to Marie and his desire for Marietta. When Marie appears in a vision, Paul vows his fidelity. Marie bids him “see and understand.” The apparition vanishes, replaced by an image of Marietta dancing.
Act II.
Paul is spying outside Marietta’s house, where he encounters Brigitta, who has left his service to become a nun, and then Frank, who has arrived for a tryst with Marietta. The two men jealously struggle, and Paul wrests from Frank the key Marietta gave him. Frank runs off. When members of Marietta’s troupe appear in boats, Paul hides. Marietta is serenaded and then enters with the dancer Gaston. After Fritz, the troupe’s Pierrot, sings a sentimental love song, Marietta proposes a toast and suggest an impromptu performance of Robert le Diable. Portraying Helene, she rises from a mock bier and flirtatiously dances toward Gaston. Paul, outraged by this burlesque of resurrection, emerges to stop the proceedings. Marietta is left alone with Paul. Berating her, he reveals the reason for his bizarre attraction to her, and declares that he never loved her. Marietta, challenging her dead rival, seduces Paul. She insists they go to his house to banish the phantom forever.
Act III.
The next morning, Paul finds Marietta in the “Shrine of the Past”. She refuses to leave, for she wants to watch Bruges’ annual religious procession from the window. Paul becomes engrossed in the ancient ceremony, finally falling to his knees in religious fervor. Marietta attempts to regain Paul’s attention by again seducing him. Haunted by his guilty conscience, Paul imagines that the procession is menacingly entering the room. When Marietta ridicules his superstition and accuses him of hypocrisy, Paul orders her to leave. But Marietta again challenges Marie – “life against death”. She seizes Marie’s golden braid and begins an alluring dance. Paul, furious, strangles her with the braid. When light returns to the darkened room, Marietta’s body is gone and the braid is untouched. Brigitta announces Marietta, who has returned because she forgot her umbrella and roses, suggesting that this is an omen that she should stay. When Paul does not respond, Marietta exits. Frank enters, and Paul tells him he will never again see Marietta; a dream of reality has destroyed his dream of fantasy. Frank asks Paul to go with him, and Paul agrees to leave Bruges, “the dead city.”