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8, 10, 11, 12, 13, 14, 15 October 2006
Christoph Willibald Gluck
Orpheus und Euridyka
Opera in three acts
Libretto by Ranieri de’ Calzabigi


Jonathan Webb
Director and Coreographer Luciano Cannito
Scenes Designer Carlo Centolavigna
Costumes Designer Daniela Cernigliaro
Chorus Master Paolo Vero
Lights Designer Bruno Ciulli
Video Art Maurizio Gaibisso

Teatro Massimo Orchestra, Chorus and Ballet


Orfeo Carmen Oprisanu 8, 11, 13, 15 /10
Nadia Pirazzini 10, 12, 14/10
Euridice Daria Masiero 8, 11, 13, 15 /10
Simona Bertini 10, 12, 14/10
Amore Anna Viola 8, 11, 13, 15 /10
Letizia Colajanni 10, 12, 14/10


Orfeo                    Alessandro Riga
Euridice                Irena Veterova
Amore Soimita Lupu


Sunday 8 October 8.30 pm PREMIERE
Tuesday 10 October 6.30 pm E
Wednesday 11 October 6.30 pm B
Thursday 12 October 6.30 pm S1
Friday 13 October 6.30 pm C
Saturday 14 October 8.30 pm F
Sunday 15 October 5.30 pm D

(Click on any picture to enlarge)

Pictures from the opera Orfeo eu Euridice








Pictures Franco Lannino ©Studio Camera


Act I
The poet and singer Orfeo grieves before the tomb of his young wife, Euridice, as a group of shepherds and shepherdesses place tributes on her grave. Orfeo is touched by their laments, but his sorrow is acute and he asks to be left alone. He calls on the spirit of his beloved wife to hear his despair; then, cursing the gods for having taken Euridice from him, he resolves to descend to Hades and brave the Furies to find her. As he speaks, Amor, the god of love, appears and announces that the other gods, moved by Orfeo’s despair, will allow him to reclaim his wife from the underworld. There is one condition, however: he must not look at her until they have returned to the upper world. Alone once more, Orfeo can scarcely believe what has happened, but, conquering his fears, he sets out for the infernal regions, using his lyre as a shield.

Act II
At the entrance to the underworld, the Furies who stand guard demand to know the identity of the bold intruder. Orfeo plays his lyre and begs them to take pity on his tears. At first they refuse and try to frighten him away. But the Furies at last respond to his eloquent song; when Orfeo repeats his request, they recede, allowing him to approach the gates of hell.
In the Elysian Fields, a group of blessed spirits dances serenely. They depart, and Orfeo enters searching for his wife. Though he pauses to delight in the scene, he says that only the sight of Euridice can ease his grief. The Shades, hearing his plea, lead in the veiled Euridice. Orfeo joyfully grasps her hand and, taking care not to look at her, begins the journey back to the upper world. As they leave, the blessed spirits wish them well.

Orfeo urges his wife to hurry as he leads her toward the upper world. He has obeyed the gods’ injunction that he must not look at her throughout their journey. Euridice, stopping for a moment to celebrate her reunion with her husband, soon becomes anxious. Why will Orfeo not look at her? Has death faded her beauty? With difficulty Orfeo keeps his face turned away and exhorts his wife to have faith and continue their ascent. Euridice laments that she has been liberated from death only to face the colder fate of unrequited love. Unable to resist her anguished pleas, Orfeo defies the gods’ command and turns to embrace his wife, who at once breathes a farewell and dies. Overcome with grief and remorse, the poet cries that life has no meaning for him without Euridice. Preparing to take his own life, he resolves to join his wife in death. Before he can do so Amor appears and announces that Orfeo has passed the tests of faith and constancy and restores Euridice to life. The happy couple returns to the upper world, where they are greeted by friends, who perform dances of celebration. Orfeo, Amor and Euridice praise the power of love.