Wagner a Palermo

Libretto and music by Richard Wagner
New production

Conductor Pietari Inkinen
Director Graham Vick
Scene & costume Designs Richard Hudson
Mime movements Ron Howell
Lighting Designs Giuseppe Di Iorio



DER RING DES NIBELUNGEN

January 22, 24, 27, 29, 31, 2013
Das Rheingold
(The Rhine Gold)

Wotan Franz Hawlata
Donner Eric Greene
Froh Alex Wawiloff
Loge Will Hartmann
Alberich Sergei Leiferkus
Mime Robert Brubaker
Fasolt Keel Watson
Fafner Christian Hübner
Fricka Anna Maria Chiuri
Freia Stephanie Corley
Erda Ceri Williams
Die Rheintöchter Ana Puche Rosado (Woglinde),
Christine Knorren (Wellgunde),
Lien Haegeman (Flosshilde)


February 21, 24, 27 febbraio, March 1 and 3, 2013
Die Walküre
(The Valkyrie)

Siegmund John Treleaven
Hunding Alexey Tanovitsiki
Wotan Franz Hawlata
Sieglinde Ausrine Stundyte
Brünnhilde Lise Lindstrom
Fricka Anna Maria Chiuri
Gerhilde Brigitte Wohlfarth
Ortlinde Julia Borchet
Waltraute Nidia Palacios
Schwertleite Annette Jahns
Helmwige Nancy Weissbach
Siegrune Kremena Dilcheva
Grimgerde Eva Vogel
Roßweiße Manuela Bress


May 14 2013
The Fondazione Teatro Massimo is undergoing a severe deficit (over 3 million euros), as recent investigations into the budget have made clear.

The 2013 Season, that was planned before the Foundation was brought into administration through an external commissioner, cannot possibly be staged as such this year, due to costs that clearly exceed the actual productive capacity of the Teatro Massimo and go beyond the economical prospects of the Foundation.

It becomes necessary to postpone to a time to be later arranged the two operas of the wagnerian Ring “Siegfried” (October 19-30) and “Götterdämmerung” (November 23 - December 4), whose costs would weigh upon the budget for 1 million 300 thousand euros. The two ballets scheduled in June have also been substituted as a part of this necessary amendment to the budget. More cost reduction initiatives will take place, concerning every item of expenditure, including the employees, in accordance with the Theatre trade unions representatives. This inevitable financial rigour policy is undertaken as a means of protection for the Foundation and its workers.

The Foundation will inform the public in the next weeks on the new 2013 schedule, while pleading with founder members, workers, subscribers, as well as with all members and representatives of the economic and cultural life in Sicily and elsewhere, to rally round the Teatro Massimo – cultural excellence of international capacity - supporting it in this difficult phase.


The External Commissioner
Prefect Fabio Carapezza Guttuso



Richard Wagner in Palermo
quoted from a text by Ignazio Ciotti
Teatro Massimo, 1939 Opera Season

On November 5th, 1881 Wagner landed in Palermo aboard the postal frigate “Simeto”, operating at that time between Palermo and Naples. On this journey he was accompanied by his second wife Cosima Liszt, their sons Siegfried, Eva and Isolde, his stepdaughters Blandine and Daniela von Bülow and his dear friend Paul von Joukowsky, the russian painter.
After taking up lodgings on the first floor of “Hotel des Palmes”, Richard Wagner swiftly set himself to work. However, as the task at hand required the utmost concentration, he soon chose to leave the hotel in favor an apartment distant from the city center accepting, after repeated offers, the Prince of Gangi’s invitation to stay at the family villa at Porrazzi.
In this hospitable residence, Wagner spent a period of calm and well being, coming into contact with the elite of the Palermo society.
At the time he also took to visiting the city, its surroundings and ancient monuments. Beholding the Duomo of Monreale, Wagner stopped and exclaimed: «What great minds of man could have designed such a marvel!». Wagner also admired the Palermo Cathedral and the Cappella Palatina which he defined «one of the most beautiful churches in the world». Wagner was often sighted, enveloped in his great cloak and donning his velvet cap, on long walks at the Foro Italico, where from time to time he would halt and gaze, in still rapture, at the blue immensity of the Mediterranean sea.
Maggio
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